• Egrets? I’ve had a few

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    A few years ago something happened that set all the birdwatchers in the UK atwitter. A snowy egret blew in on an ill wind and landed on the island of Seil. I happened to be there at the time and saw it in the flesh. It looked more than a little lost and was probably wondering who turned the sun off.

    Recently I found myself on a beach in the Gulf of Mexico and lo, a snowy egret swooped in and landed right next to me just as I had my camera in my hand. That’s it in the pic above, looking a good deal more perky than its cousin who made it to Argyll.

    Proof that I’ve not spent every single day of the last few weeks chasing around the cathedrals, big churches and cool Episcopalians in North America.

    Almost, but not quite.

    Of which more later.

2 responses to “E and B”

  1. Martin Ritchie Avatar
    Martin Ritchie

    One of the interesting things about choral evensong is that in some places it can seem like a living tradition that can speak to anyone, whereas in others it can appear to be dry as dust, pompous and irrelevant. What do you think the “method” is that produces a living choral evensong as opposed to an antiquarian one?

  2. kelvin Avatar

    That’s a good question, Martin and I agree, it can be miserable.

    I think that worship tends to take off when those planning it and organising and leading it care more about what we are doing when we worship than in the form in which we worship.

    I suspect that Choral Evensong is not best led by liturgical, musical or prayer book fundamentalists or by those who happen to find this a way of encountering the holy.

    A culture of offering the best we can be to God helps. Good relationships between musicians and clergy help. As usual, clear liturgical books in the hands of the faithful help. And whoever is leading needs not to be frightened of a bit of silence now and then amidst the music.

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