Salisbury's Glorious Font

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The above pic is one that I took on my recent trip to England.

Whilst I was in Salisbury to preach, I saw this wonderful new font which has just been installed in the middle of the nave.

It is dark and mysterious. Large enough to drown someone in. The dark interior makes the surface of the water reflect all that is around it. The water seems still and calm, yet is actually moving all the time, running over the edge of the corners.
Two things interested me particularly about it. The first was the propensity of people to throw money into it, proving that there are spiritual things deep inside us that refuse to die, no matter how much we try to baptise it out of people through no matter how many centuries.

The second thing was the consecration crosses. They got Archbishop Rowan to consecrate the font using holy oil. Only thing was, no-one worked out in advance that it would not be a trivial matter to wipe them off. And thus they remain. Ghostly and Holy. The whole thing is magnificent. One of the most successful modern commissions I’ve seen.
consecration-crosses-of-rowan-williams

Clash of cultures

Just back from our diocesan clergy conference. It was just 24 hours, which was not long enough for me. Although I find myself resenting having to rearrange my diary, I know that on these occassions, the thing that matters most is meeting people and there was not quite enough time for me to feel that we had done enough of that. I’d have liked us to discuss something that mattered, and I’m not sure we did.

We had good input though. The headline speaker for Wednesday was Lorna Finley, who came and spoke to us about dealing with the media. Her party-piece was a series of imagined headlines from newspapers reporting on the story of the Prodigal Child. Excellent.

Today the headline act was Rowan Williams. He spoke to us of poetry.

One frustration that I found was that it started to feel to me as though quite a few of my colleagues were frightened of the media but much more accepting of poetry. Rowan William’s experience of the firestorm over Sharia Law earlier in the year was very obviously in our minds. That kind of effect inevitably induces fear. It felt as though people felt much more comfortable listening to RW talking about medieval Welsh poetic structures. (And here, I must  admit that RW was the best speaker on the structure of medieval Welsh poetry that I’ve ever heard at a clergy conference).

The thing that troubled me was that we never seemed to connect the two. I’m a person who lives in a soundbite, internet-driven, headline culture. And I love it. What none of us seemed able to vocalise during the conference is that this same culture is the most successful, witty, influential poetic culture that the world has ever seen. We turn our backs on it at our peril.