What is in Kelvin's Head?

Culture Catch Up

01/03/2013

I’ve been on annual leave for the last week. It was my (rather late) post-Christmas break. Just after Christmas, I didn’t want to be away from either home or St Mary’s, probably due to having just come back from my three-month sabbatical. Hence, I put off taking time off until now.

This year I threw myself into a culture catch-up with a wee trip to London.

Here are the scores on the doors:

Takin’ Over the Asylum at the Citz in Glasgow – solid reworking of a good TV series for the stage Rating:

La Traviata at the Coliseum – all done with curtains. The curtains open to reveal a set of curtains, which in turn are pushed apart to reveal a set of curtains, which in turn…. All in all a rather good postmodern interpretation. Then end worked well. You need a good seat for this one. Some of the action happened amongst the audience. Rating:

Cocktail Sticks – a new piece by Alan Bennett about his parents. Made me laugh. Made me cry. Rating:

This House – an enormous new play by James Graham about the politics of the 1970s and 1980s. In other words, a play about the politics that I first remember. Rating:

Merrily We Roll Along – The Play. This was a mistake. Booked it at the last-minute thinking I was booking Merrily We Roll Along the Musical. The play is incomprehensible, particularly so in a rehearsed reading. This was a rehearsed reading. Lasted until half time. Rating:

People – another new play by Alan Bennett. This one had the wonderful Frances de la Tour being an imperious old aristocrat. It also had an actress, a bishop and enough trouser-dropping to prove that farce has not died just because Brian Rix is no longer in charge. It is not Alan Bennett’s greatest work but greater than so many other people’s greatest work nonetheless. Rating:

Ice Age Art – the Arrival of the Modern Mind at the British Museum. This one is selling out every day – you need a timed ticket to get in. Fascinating, beguiling show of bits and bobs from Europe made by people we know so little else about. Enigmatic “venus” figurines and a ghostly puppet were my favourites. Rating:

Light Show at the Hayward Gallery. From prehistoric art to the art that depends on the technology of today. (I think we can be pretty sure that none of this will be around in 27000 years). An interesting show. Would perhaps have felt spiritual and holy if one had had the chance to go around it alone. As it was, there were too many other people. (Which was the theme of one of the Bennett plays above, oddly). Rating:

Oh, and I met one or two people I know and one or two I know now.

There we go – not a bad week all told. Four and a half plays and two big art shows. Oh, and I also worshipped last Sunday in a small congregation in the West End (just 19 of us gathered right where London’s heart beats strongest) and at Westminster Abbey on Tuesday evening for a gorgeous Evensong with dozens in the cast and hundreds in the congregation.

God was present in both these services.

And in the rest, I’d say.

Quite a lot of dashing about, not least as I was only in London for three nights.

And that’s what I did on my holidays. Rating:

52 responses to “Inclusive Language – again”

ryan

11/10/2010

Kelvin – that cracked me almost as much as your last tweet on the left of your blog ;-)!

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Jimmy

11/10/2010

Ryan, although you address your comment to Kelvin like I am not there. I assume you are referring to my poem, I can assure you that it does not crack me up watching you making any opinion you may have untenable.

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1. kelvin
  
  11/10/2010
  
  No Jimmy – I think Ryan was indeed referring to my last comment, above.
  
  Reply
Jimmy

11/10/2010

Thank you Kelvin and Sorry Ryan.

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ryan

11/10/2010

No worries! Was indeed referring to the v.amusing coming out day tweets at the side.

I’m not sure there’s ever existed anyone, anywhere,at any time, of whom it could be said that *all* their opinions are ‘untenable’, so such rhetoric is dehumanising at best. Apropos nothing, I was moved to google the poetic stylings of the great David Brent. Who needs Auden? 😉
http://murfinsandburglars.com/2009/04/14/bad-poetry-for-tuesday-david-brent-edition/

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Peter

12/10/2010

Kelvin; no, I think it distracts. It simp;ly reminds us that this is how your mind works: you make connections and delight in that sort of word-play. However, to sharpen up my point. Thank you for helping me to realise that, for some, ‘family’ is not a positive word in the way in which I experience it. For my part, this willl mean that I will be more careful about its use when others might feel excluded (and therefore hurt). Mutatis mutandi can you accept that I feel offended by what seems to be merely a casual linking between family and the f word? These are sensitive areas, but sensibilities are by no means confined to those who find family a painful or unhelpful concept.

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Simon

29/10/2010

I am slightly nervous aboaut the alternatives to the 1982 Liturgy, not because I don’t share the inclusive sentiments expressed above (I do). I fear that, as so often in the history of the church, the steps we take to avoid one kind of mistake in the way we talk about God can lead us into another. The avoidance of pronouns as a measure to achieve inclusivity produces inelegant, strained and stilted English. How would it be if one were to use it in day-to-day speech? ‘I saw John this morning. I asked John’s how John’s health was. John said that John was over his flu, and hoped to be back at work on Monday’. This may not in itself seem to be a problem. But in fact, what very quickly happens when we adopt this idiom in addressing/expressing God, is that the very idea of a personal God begins to recede. My basic instinct is that the church’s language of pulbic prayer is properly anchored in that of the scriptures. There are dangers in departing from this. The perceived problem (rightly perceived) is perhaps better tackled by good teaching about the nature of God, than by linguistic contortions that produce stilted prayers, and possibly a less real and vivid idea of God.

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Melissa

15/11/2013

About the family imagery – another reason to drop it in church is for the sake ones who, like me, do actually have the signifying family relationships.

There is too much pressure on day to day life with children when that life is forced to serve as some kind of example or testimony or witness to the world – or more likely one’s church friends – about the nature of God.

I think it sours love because in that kind of scheme loving children is more fundamentally a means to an end.

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