• Creative morning coming up

    The intention today is to spend a creative morning looking at upcoming issues of inspires, the magazine of the Scottish Episcopal Church.

    I’m trying to apply a broad theme to the magazines at the moment and so far as I can tell this seems to be appreciated by the readers.

    Upcoming themes are Journey/Pilgrimage/Place, The Communion (Anglican and Otherwise) and something on buildings/sacred space. I’ve a notion that we’ve not really done much on liturgy and I’m going to be discussing some ideas with a couple of other people today.

    I rather like doing this work but being the Editor of a magazine and running a cathedral are not always terrible compatible occupations. Deadlines and the liturgical year don’t always play nicely together.

    I’m always so grateful to the writers of the articles. Some people have the gift of generous writing – fast, accurate and interesting.

    They are a delight.

    I’ve asked before in the magazine itself whether people want to suggest themes for issues and two of the themes listed above come from people’s suggestions.

    Anyone want to make a suggestion here? Feel free in the comments below.

2 responses to “E and B”

  1. Martin Ritchie Avatar
    Martin Ritchie

    One of the interesting things about choral evensong is that in some places it can seem like a living tradition that can speak to anyone, whereas in others it can appear to be dry as dust, pompous and irrelevant. What do you think the “method” is that produces a living choral evensong as opposed to an antiquarian one?

  2. kelvin Avatar

    That’s a good question, Martin and I agree, it can be miserable.

    I think that worship tends to take off when those planning it and organising and leading it care more about what we are doing when we worship than in the form in which we worship.

    I suspect that Choral Evensong is not best led by liturgical, musical or prayer book fundamentalists or by those who happen to find this a way of encountering the holy.

    A culture of offering the best we can be to God helps. Good relationships between musicians and clergy help. As usual, clear liturgical books in the hands of the faithful help. And whoever is leading needs not to be frightened of a bit of silence now and then amidst the music.

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