• Always the Inkeeper – a sermon for Christmas Day 2018

    In the name of God, Father, Son and Holy Spirit. Amen.

    I, was always the innkeeper.

    I’m not sure how many times I was in a nativity. Nor am I sure how it happened. But somehow, I was always the innkeeper.

    And the innkeeper doesn’t get the best of lines.

    “I’m sorry, there is no room at the inn”

    Of course, there’s no actual innkeeper in the Bible. Just that line which says that Mary laid him in a manger because there was no room in the inn.

    From the lack of room in the inn there is presumed to be an innkeeper.

    And the innkeeper must therefore turn the holy couple away. Not for them the comforts of the inn.

    But how to play the innkeeper – stern and uncompromising as he shakes his head at the holy couple. Or kind and compassionate finding them a corner round the back with the animals because you can’t just let a woman give birth on the street?

    I’m not sure that my knowledge of theatre was all that developed in those days but there was still clearly a choice to be made.

    If you’ve only got one line, you’ve got to make it count.

    I never got to play the part of Joseph – concerned, compassionate, gentle and strong.

    I never got to play a shepherd shivering on the hillside nor a king come from the East to worship the Christchild.

    I never got to spit like a camel or baa like a sheep. Nor was I to ever become any of the whole host of angels who came to sing peace to God’s people on earth.

    I always knew that I’d have made a fabulous Gabriel, all sparkles and glitter, even if the world was not at that time ready for me to play the Blessed Virgin Mary.

    But it was never to be.

    I was always the innkeeper.

    Carrying my lamp (I always had a lamp) it was my solemn duty to tell Mary and Joseph that there was no room for them in the inn.

    So far as I can tell the inns of Great Western Road, do not seem to come with adjacent stables these days. The memory of the cow byers in the West End where animals were stabled after being brought into town for market lingers in the name of Byers Road. But generally speaking, for most of us the idea of a stable is a bit foreign.

    But it was to such a place that the innkeeper showed the holy family and in such a place as that, the Lord of heaven and earth first laid his head, all wrapped in swaddling bands.

    Perhaps the modern equivalent is a garage around the back.

    I wonder whether those of you who played a part in nativity scenes in your youth have found the character that you played has played out in your later life. Is there still an angel in you – announcing news whenever there’s great news to tell? Are you still searching like one of the Magi? Are you someone who still looks after the sheep.?

    I find myself wondering whether constantly saying “There is no room at the inn” in my childhood Christmases somehow contributed to wanting to preside over a congregation which is trying to be open, inclusive and welcoming and trying to say, yes, there’s always room for more around the crib at Christmas and around the altar where God is alive to us the rest of the year too.

    Maybe I am rebelling against my old Christmas script. No more will I proclaim no room at the inn. There’s room for everyone here.

    It may be because it was my part to play that I’ve tended to think that the church has neglected the innkeeper somewhat. There’s no carols about the innkeeper. No icons of the innkeeper. No relics of the innkeeper to visit. No shrine.

    Once he has delivered his line in the nativity play, the innkeeper fades away.

    Well, he fades away from view but somehow we each get the chance to play his part and not just at Christmas. Whom will we welcome? Who precisely will we make room for.

    For there must be room for the wandering and the lost. There must be food for the hungry. There must be shelter for the homeless. There must be refuge for the refugee.

    And the vocation of all of us innkeepers is to work out how to welcome just one more.

    And the Christmas story is at its weakest if we locate it only in Bethlehem and only in a time long, long ago.

    Like all the best stories it comes to life when we find ourselves acting the parts of the characters not simply in childhood but when we can see and influence the same drama as it plays out in our lives.

    The Christmas story is not simply that God came once and laid his head in straw and that was that.

    The Christmas story is that Glasgow is the holy city in which God is born. The Christmas story is that people still discover that same God in the most unexpected ones. The true Christmas story is that there’s always room for one more beloved child.

    And the true Christmas story is not that God loved the world so much 2000 years ago that he came and for the blinking of a lifetime was part of it.

    It is that God loves the world so much because God loves you.

    And that love doesn’t happen then or there, but here and now.

    God loves you, here and now.

    This place is Bethlehem. And unto us a child is born.

    In the name of the Father and of the Son and of the Holy Spirit Amen.

9 responses to “The Lament Question”

  1. kimberly Avatar

    ask it in the singular, and the answer is: because you’re a four.

    you’ll have me playing the funeral ikos next.

  2. kimberly Avatar

    the other answer is about possibility being revealed in limits.

  3. kelvin Avatar

    Its not just me though, and not just fours.

  4. Aaron Orear Avatar

    I think because sorrow touches the core of the human condition – we are mortal but can perceive immortality. “He has made everything suitable for its time; moreover he has put a sense of past and future into their minds, yet they cannot find out what God has done from the beginning to the end.” (Eccl. 3:11)

  5. Erp Avatar
    Erp

    I understand Aristotle talks about catharsis and various philosophers have followed up on that idea.

    Perhaps it arouses sadness both from the art itself but also from our own sources festering within and allows us to let go. We feel better for the letting go, the lessening of our own internal sadness, and so perceive the art as beautiful.

  6. RosemaryHannah Avatar
    RosemaryHannah

    Kimberly was there before me. However, even I, a nine, can sometimes see the beauty in sad things. For me they do two things (may be more but two are most obvious). The first is the catharsis thing. The second is to make me less lonely. Look, here am I weeping, but all around me people sit in the same sorrow. It is not just my sorrow – I am not alone.

    I have long thought there is another answer, one I do not properly understand but I have (I think – and who am I to think it). Deep in God there is a huge well of sorrow. Unless we experience sorrow we cannot understand God. When we sorrow we tap into that well, and become closer to him.

    And being a nice cheerful nine, I will now add that I live in hope that having sorrowed with him, we will share also and even more fully in the joy which swallows the sorrow. Delete this last paragraph from your mind on reading, it will only spoil the joy of the sorrow.

  7. Elizabeth Avatar
    Elizabeth

    Edgar Allan Poe said the most beautiful thing in the world is a beautiful, dead woman. Nice, eh?

  8. Ritualist Robert Avatar
    Ritualist Robert

    Surely it’s because the concept of beauty is independent from concepts such as ‘sadness’ and ‘happiness’ – just as a G major chord might be loud or soft, but that volume has no effect on its G major-ness.

  9. Steve Avatar
    Steve

    I remember Augustine saying (don’t ask me where) that for a picture to be beautiful it requires dark colours as well as bright.

    There is also a hint of an answer in this poem by Edwin Muir:

    Yet still from Eden springs the root
    As clean as on the starting day.
    Time takes the foliage and the fruit
    And burns the archetypal leaf
    To shapes of terror and of grief
    Scattered along the winter way.
    But famished field and blackened tree
    Bear flowers in Eden never known.

    Blossoms of grief and charity
    Bloom in these darkened fields alone.
    What had Eden ever to say
    Of hope and faith and pity and love
    Until was buried all its day
    And memory found its treasure trove?
    Strange blessings never in Paradise
    Fall from these beclouded skies.

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