What is in Kelvin's Head?

1066 And All What?

15/10/2016

This is an exciting moment for liturgists everywhere. It would appear that the Church of England has published a new prayer, this time commemorating the Battle of Hastings.

Following some discussion last night on social media, I’m pleased to be able to provide this study guide to the prayer for those thinking of using it, in the form of 12 questions. (The questions may be useful for discussion groups).

But first, the prayer itself.

God of justice and mercy,
whose Son came among us as the Prince of Peace:
look with grace on all who look back on the Battle of Hastings
as a defining moment in our history.
Guide our island nation, poised between Europe and Scandinavia,
and from the remembrance of defeat bring solidarity
with oppressed, subjugated and humiliated peoples today.
By your Spirit lead us to make the past our friend,
and to find our future in you,
that we may become a people of memory and hope;
through our crucified and risen Lord, Jesus Christ. Amen.

1 – The prayer begins conventionally as an address to the God of justice and mercy. Looking back at the Battle of Hastings, which side represented the forces of justice? Which side was God on?

2 – In telling God to look with grace on all who look back on the Battle of Hastings does the Church of England suggest that those who do not look back on the Battle of Hastings will not experience that favour?

3 – What will be the measurable consequences of the favour of God being bestowed upon Battle of Hastings gazers?

4 – What nation is being invoked in the term “island nation”? (Groups may wish to make reference to #indyref, #brexit and #conquest in answering this question).

5 – Using a map and the description “poised between Europe and Scandinavia”, can you pinpoint

a) Europe?
b) Scandinavia?
c) This Island Nation?

6 – Given the phrase the “remembrance of defeat”, in whose voice is this prayer offered?

7 – Similarly, who is the “we” in the phrase “that we may become a people of memory and hope”?

8 – In what ways are the Saxon people of England today not a people of memory and hope? Give examples to demonstrate your understanding of this question.

9 – How would you lead a youth group towards understanding the passion of our Lord Jesus Christ through the death of King Harold? (Consider drama, storytelling and needlecraft based approaches)

10 – How can the oppressed, subjugated and humiliated members of the Church of England, acting in solidarity with all people of struggle, reach out to build a better world?

11 – Would the addition of Saint Harold the Good to the Calendar of the Church of England be a step forward for justice?

12 – In what circumstances will you use this prayer?

Battle of Hastings, Church of England

9 responses to “The Lament Question”

kimberly

12/08/2009

ask it in the singular, and the answer is: because you’re a four.

you’ll have me playing the funeral ikos next.

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kimberly

12/08/2009

the other answer is about possibility being revealed in limits.

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kelvin

12/08/2009

Its not just me though, and not just fours.

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Aaron Orear

12/08/2009

I think because sorrow touches the core of the human condition – we are mortal but can perceive immortality. “He has made everything suitable for its time; moreover he has put a sense of past and future into their minds, yet they cannot find out what God has done from the beginning to the end.” (Eccl. 3:11)

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Erp

12/08/2009

I understand Aristotle talks about catharsis and various philosophers have followed up on that idea.

Perhaps it arouses sadness both from the art itself but also from our own sources festering within and allows us to let go. We feel better for the letting go, the lessening of our own internal sadness, and so perceive the art as beautiful.

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RosemaryHannah

12/08/2009

Kimberly was there before me. However, even I, a nine, can sometimes see the beauty in sad things. For me they do two things (may be more but two are most obvious). The first is the catharsis thing. The second is to make me less lonely. Look, here am I weeping, but all around me people sit in the same sorrow. It is not just my sorrow – I am not alone.

I have long thought there is another answer, one I do not properly understand but I have (I think – and who am I to think it). Deep in God there is a huge well of sorrow. Unless we experience sorrow we cannot understand God. When we sorrow we tap into that well, and become closer to him.

And being a nice cheerful nine, I will now add that I live in hope that having sorrowed with him, we will share also and even more fully in the joy which swallows the sorrow. Delete this last paragraph from your mind on reading, it will only spoil the joy of the sorrow.

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Elizabeth

13/08/2009

Edgar Allan Poe said the most beautiful thing in the world is a beautiful, dead woman. Nice, eh?

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Ritualist Robert

14/08/2009

Surely it’s because the concept of beauty is independent from concepts such as ‘sadness’ and ‘happiness’ – just as a G major chord might be loud or soft, but that volume has no effect on its G major-ness.

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Steve

14/08/2009

I remember Augustine saying (don’t ask me where) that for a picture to be beautiful it requires dark colours as well as bright.

There is also a hint of an answer in this poem by Edwin Muir:

Yet still from Eden springs the root
As clean as on the starting day.
Time takes the foliage and the fruit
And burns the archetypal leaf
To shapes of terror and of grief
Scattered along the winter way.
But famished field and blackened tree
Bear flowers in Eden never known.

Blossoms of grief and charity
Bloom in these darkened fields alone.
What had Eden ever to say
Of hope and faith and pity and love
Until was buried all its day
And memory found its treasure trove?
Strange blessings never in Paradise
Fall from these beclouded skies.

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