- Do you have a decent church website?
- Is it up to date?
- Is it responsive – ie does it work on mobile phones?
- Does your own online profile feature your ideas and hopes and dreams other than a desire for people to turn up to church?
- Do you know what you are doing with twitter and facebook?
- Who could you learn more about social media from?
- Do you have a compelling reason why people should come to your church other than where it is or what denomination it belongs to?
- Can everyone in the church tell you in one sentence what that compelling reason is?
- What is your beginners’ course like?
- What comes after the beginners’ course?
- Do people like the preaching?
- Do people enjoy the music?
- Have you dealt with conflicts from the past?
- Are the people friendly?
- Do you have any new groups starting soon?
- Do you talk about making the world a better place?
- How will people experience joy if they come to your congregation?
- If someone from your past turned up unexpectedly at worship how would it make you feel?
- How do you identify newcomers and what do you offer them?
- What problems will arise if you do grow and how will you deal with them?
- Do claims that you welcome everyone stop you working at welcoming those who traditionally find it hard to find a home in church?
- Do you use language that is inclusive of everyone?
- How do you know?
- Is there any identifiable group of people that you can’t explicitly say are welcome because of how an individual or group in the congregation will react?
- Do you want to grow or not?
4 responses to “Sunday's Lament”
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As I read that lament on Sunday, I was singing inside my head the wonderful Tomkins’ setting of the lament. As an alto, I could be accused of bias – the suspensions between the two alto parts are hair-raising in their beauty – but to me nothing can match it. You can hear it here
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Oh dear me, yes. Let’s all wear pink and have a celebration.
Your video camera however does not let one get anything like the quality of the voice in space experience of last Sunday. And I write as one not musical.
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I think, too, it always would work best for a single male voice, because it is so heavily tied to a single male figure. It is superb writing, superbly put to music.
I don’t want to ‘dis’ your only-too-correct comments on the space between our understanding and that of the Iron age. But I think that two things may offer a little light on how and why we read the succession narrative.
The first is that it is an outstanding piece of writing by any standards at all. The terrible attempt by the lectionary to cut it on Sunday just pointed that up (not the first time I’ve wondered what the editors of it thought they were doing). Good story has its own power.
Secondly, one has to ask who commissioned this account and why. I think the answer has to be Solomon’s court, as ’twere – thus not only does one have to explain why Solomon succeeded one also has to paint a very flawed but still in some ways great David. A man one might be glad to have as a father, and a man who it would be possible to offer a better alternative to. The last King, if a relative, should neither be too good or too bad. QED.
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Oh my word! Why have I never heard this before? It is glorious and I am in love with it. There is absolutely nothing like a good lament. Dido’s Lament had better look out.
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