• How not to have a synodical discussion

    This afternoon I’ve been engaged in a discussion at the General Synod of the Scottish Episcopal Church about same-sex marriage. At least, that’s what it was supposed to be about. Often in the afternoon it felt like a discussion about how to have a discussion. (All of this was being facilitated by Hugh Donald of A Place for Hope initiative of the Church of Scotland NB correction from earlier text)

    We began by someone challenging the process by speaking against the motion to suspend the standing orders and go into a different mode of meeting. That challenge didn’t fly, but a quarter of the synod members didn’t want to go into small groups. That’s quite a high proportion of dissatisfied customers to begin with.

    We were then invited to listen to a conversation amongst some people who were part of a previous conversation at Pitlochry that had been limited to invited people only. Already we were into the territory of people feeling excluded from a process – at my table there were two of us who would have liked to have been at Pitlochry but who had found ourselves excluded from it.

    The conversation that we were invited to watch went on for a bit and they all agreed that Pitlochry had been wonderful and transformative. (Guess what that feels like if you’ve been excluded!) However it was difficult to hear much about what they had talked about at Pitlochry.

    But the worst thing from my point of view is that this conversation that we were invited to witness had no participant who was ordained and gay.

    It was the antithesis of the principle that you don’t speak about people without including them in the conversation. There were plenty of ordained people  who happen to be gay in the room too – just not invited to be part of that conversation.

    Then we went into table groups where we were expected to talk about gay people’s personal lives without having any warning of what the questions would be and without any reference to the fact that straight people have a sexuality too. (The questions very clearly made gay people the problem the church was trying to solve).

    For some reason, the people who went to Pitlochry who had a great time there who have come back saying how much wonderful listening was going on are finding it terribly difficult to listen to those who were not there or who have any criticism of the process.

    At the end of all this, bumping into some of my gay friends in the room, I saw one brushing back tears (and I knew they were fury tears not just ordinary upset tears), another was still fizzing about the questions and was heading off to have a go at one of the bishops about how manipulative it had been, another with his head in his hands saying “how long can this go on” and another patiently trying to explain to straight liberal so-called allies why being asked to wait another year (yet again) did not feel like a step forward.

    Rounding off this session of the Cascade process, the Primus spoke of how well it was being conducted and how well it was going.

    He does not walk in my shoes.

4 responses to “Sunday's Lament”

  1. chris Avatar

    As I read that lament on Sunday, I was singing inside my head the wonderful Tomkins’ setting of the lament. As an alto, I could be accused of bias – the suspensions between the two alto parts are hair-raising in their beauty – but to me nothing can match it. You can hear it here

  2. RosemaryHannah Avatar
    RosemaryHannah

    Oh dear me, yes. Let’s all wear pink and have a celebration.

    Your video camera however does not let one get anything like the quality of the voice in space experience of last Sunday. And I write as one not musical.

  3. RosemaryHannah Avatar
    RosemaryHannah

    I think, too, it always would work best for a single male voice, because it is so heavily tied to a single male figure. It is superb writing, superbly put to music.

    I don’t want to ‘dis’ your only-too-correct comments on the space between our understanding and that of the Iron age. But I think that two things may offer a little light on how and why we read the succession narrative.

    The first is that it is an outstanding piece of writing by any standards at all. The terrible attempt by the lectionary to cut it on Sunday just pointed that up (not the first time I’ve wondered what the editors of it thought they were doing). Good story has its own power.

    Secondly, one has to ask who commissioned this account and why. I think the answer has to be Solomon’s court, as ’twere – thus not only does one have to explain why Solomon succeeded one also has to paint a very flawed but still in some ways great David. A man one might be glad to have as a father, and a man who it would be possible to offer a better alternative to. The last King, if a relative, should neither be too good or too bad. QED.

  4. revruth Avatar

    Oh my word! Why have I never heard this before? It is glorious and I am in love with it. There is absolutely nothing like a good lament. Dido’s Lament had better look out.

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