• Eid, Pride and Abraham’s Sacrifice

    The first thing that I tend to notice is that there seems to be more sweet things in the shops in Great Western Road than usual.

    And then on the day itself it is obvious that there’s more people going about their business all dressed up for an occasion. Some of them are carrying food. A swish of coloured fabric or a brilliantly white robe. And then I see people going visiting family in the local tenements. It is obvious that there’s a celebration going on.

    This week the Islamic festival of Eid al-Adha was going on. The Islamic calendar doesn’t keep time with the Gregorian Calendar that most of us use most of the time to organise our time.

    The Feast arrives about 11 days earlier each year. And living here, I can always tell when the feasting is about to break out. You can feel it in the street.

    Now it will be a very long time before we get this happening again, but the feast that is being celebrated by our Muslim friends is directly related to the worship of much of the Christian church today. Because the feast that was celebrated this week is based on one of the stories that comes up in the Lectionary today. And it will be another 33 years or so until these two things happen in the same week.

    So, I’m paying attention to Abraham this morning. And to his son. In our tradition we remember him taking Isaac in response to believing that he heard a call to sacrifice his son.

    The tradition in the Qur’an doesn’t mention the name of the son and Muslims generally presume the son to be Ishmael – the son of Abraham and Hagar the maidservant, whose birth we heard of just a few weeks ago.

    But it is in essence the same story.

    Abraham hears a call from God to sacrifice his son and sets off to do just that. And then just in time, God intervenes and calls off the sacrifice.

    The straight-forward interpretation of the story that is found in Christian, Jewish and Islamic traditions is that Abraham’s willingness to perform the sacrifice was enough. The son’s blood didn’t need to be spilt after all. Abraham’s willing submission to the will of God was enough.

    Various retellings of the story have different details – particularly in the acquiescence or not of the son in the sacrifice scheme.

    But none of those three traditions has been entirely content to leave this text to speak for itself. This is a story that has been argued and puzzled over for centuries. Indeed, perhaps that is its major purpose.

    I knew a priest some years ago who had a painting of Abraham and Isaac in his study looking down at him as he prepared every sermon. It was a fine picture. An beautiful picture.

    Until you noticed the glint of a knife in the father’s hand.

    For me, I’m not convinced that simple and straightforward tellings of this story are enough. It is complex and disturbing and very puzzling indeed.

    At first glance, it seems to be a very long way from our experience.

    We have no contact with those who sacrifice their children at the whim of a capricious God, do we?

    And yet, immediately I start to think of stories I’ve heard as a priest from troubled children about troubled parents.

    On several occasions when I’ve been at Pride marches I’ve had people come up to me terribly upset at the violent sentiments that parents have expressed towards them in the name of religion.

    “I told my dad last night. He told me to get out the house. He told me I was an abomination before the Lord. He told me he wanted me dead”.

    People are prepared to sacrifice all the love in the world on the altar of misguided beliefs about what God wants in this world.

    People sometimes think I go to Pride to have fun. Actually I go so that people have someone to tell those stories to. And I go to bear witness to a God who turns out not to want such sacrifices at all.

    And therein lies my interpretation of this story.

    I’m suspicious of the text and I’m deeply suspicious of the interpretation that the God I know would ever be the instigator of this violent psychodrama.

    I’m suspicious of the text because people have tried to sanitise Abraham’s saga ever since it was written and passed on. Although the readings that we get about Abraham on Sundays present someone who is far from straightforward, they miss out stories that are even more problematic.

    If we are all children of Abraham, we are all children of someone who twice passed his wife off as his sister and offered her to powerful men to save his own skin, someone who slept with the maid and then disposed of her when it didn’t suit him and someone who begins the very biblical tradition of fathers who have trouble dealing fairly with their sons.

    And I am suspicious of the traditional supposedly straightforward interpretation of this story because it just doesn’t make any sense to me.

    No God worth believing in wants children to be sacrificed and killed.

    So for me, I think this story is worth telling and retelling through the ages as a paradigm for the idea that religion can change and bad practices that can only lead to death, destruction and loss should themselves be sacrificed.

    For me this story stands out as marking a moment when the idea of God wanting a child sacrifice was seen for what it was – nonsense and violent nonsense at that.

    There has been much change even in my lifetime in how decent religious people behave. This text is a blessing to those who embrace that journey.

    Bad religion can be sacrificed.

    Bad religion should be sacrificed.

    Violence begets violence – it does not beget holiness.

    The God whom I believe in loves us and bears us no ill will, wants no violence, demands no pain.

    Live on earth is evolving.

    Human life is evolving.

    The life of the spirit – religious life on earth is also evolving. I’ve seen it change. We’ve been part of it changing.

    And I believe that God is with us as we question these texts and worry over them and puzzle our way through them.

    This text teaches me that God has only good things in store for us.

    And that idea is well worth an annual party, in any street on this earth.

    In the name of the Father and of the Son and of the Holy Spirit.

    AMEN

9 responses to “The Lament Question”

  1. kimberly Avatar

    ask it in the singular, and the answer is: because you’re a four.

    you’ll have me playing the funeral ikos next.

  2. kimberly Avatar

    the other answer is about possibility being revealed in limits.

  3. kelvin Avatar

    Its not just me though, and not just fours.

  4. Aaron Orear Avatar

    I think because sorrow touches the core of the human condition – we are mortal but can perceive immortality. “He has made everything suitable for its time; moreover he has put a sense of past and future into their minds, yet they cannot find out what God has done from the beginning to the end.” (Eccl. 3:11)

  5. Erp Avatar
    Erp

    I understand Aristotle talks about catharsis and various philosophers have followed up on that idea.

    Perhaps it arouses sadness both from the art itself but also from our own sources festering within and allows us to let go. We feel better for the letting go, the lessening of our own internal sadness, and so perceive the art as beautiful.

  6. RosemaryHannah Avatar
    RosemaryHannah

    Kimberly was there before me. However, even I, a nine, can sometimes see the beauty in sad things. For me they do two things (may be more but two are most obvious). The first is the catharsis thing. The second is to make me less lonely. Look, here am I weeping, but all around me people sit in the same sorrow. It is not just my sorrow – I am not alone.

    I have long thought there is another answer, one I do not properly understand but I have (I think – and who am I to think it). Deep in God there is a huge well of sorrow. Unless we experience sorrow we cannot understand God. When we sorrow we tap into that well, and become closer to him.

    And being a nice cheerful nine, I will now add that I live in hope that having sorrowed with him, we will share also and even more fully in the joy which swallows the sorrow. Delete this last paragraph from your mind on reading, it will only spoil the joy of the sorrow.

  7. Elizabeth Avatar
    Elizabeth

    Edgar Allan Poe said the most beautiful thing in the world is a beautiful, dead woman. Nice, eh?

  8. Ritualist Robert Avatar
    Ritualist Robert

    Surely it’s because the concept of beauty is independent from concepts such as ‘sadness’ and ‘happiness’ – just as a G major chord might be loud or soft, but that volume has no effect on its G major-ness.

  9. Steve Avatar
    Steve

    I remember Augustine saying (don’t ask me where) that for a picture to be beautiful it requires dark colours as well as bright.

    There is also a hint of an answer in this poem by Edwin Muir:

    Yet still from Eden springs the root
    As clean as on the starting day.
    Time takes the foliage and the fruit
    And burns the archetypal leaf
    To shapes of terror and of grief
    Scattered along the winter way.
    But famished field and blackened tree
    Bear flowers in Eden never known.

    Blossoms of grief and charity
    Bloom in these darkened fields alone.
    What had Eden ever to say
    Of hope and faith and pity and love
    Until was buried all its day
    And memory found its treasure trove?
    Strange blessings never in Paradise
    Fall from these beclouded skies.

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