• Florence Li Tim-Oi – Celebrating 70 years since her ordination

    I’m just off to celebrate a Eucharist because it is a Feast Day – the Conversion of St Paul. The standard, if rather weak, in-joke is that one is going to pray for the Conversion of St Paul rather than simply remember the Conversion of St Paul – not least because Paul had things to say that have not been terribly helpful to a modern world where women and men are equal.

    As I celebrate the feast today I’m going to be remembering with thanksgiving this woman: The Rev Florence Li Tim-Oi and celebrating 70 years since her ordination.

    Florence Li Tim-Oi

    She was the first woman to be made a priest in the Anglican Communion and today is 70 years since it happened. It happened in wartime when there were no men around and it happened secretly and without the permission of synods and decision-making bodies simply, I suspect because they couldn’t meet at the time.

    The most extraordinary thing about Mother Florence is that once the war was over, she gave up her license to act as a priest (but not her orders) until such time as her church accepted the principle that women and men could equally be regarded as priests. In her part of the world, that meant waiting until 1971.

    I can’t imagine what it was like to wait so many years to be treated as an equal.

    No, wait a minute.

    I can.

4 responses to “Sunday's Lament”

  1. chris Avatar

    As I read that lament on Sunday, I was singing inside my head the wonderful Tomkins’ setting of the lament. As an alto, I could be accused of bias – the suspensions between the two alto parts are hair-raising in their beauty – but to me nothing can match it. You can hear it here

  2. RosemaryHannah Avatar
    RosemaryHannah

    Oh dear me, yes. Let’s all wear pink and have a celebration.

    Your video camera however does not let one get anything like the quality of the voice in space experience of last Sunday. And I write as one not musical.

  3. RosemaryHannah Avatar
    RosemaryHannah

    I think, too, it always would work best for a single male voice, because it is so heavily tied to a single male figure. It is superb writing, superbly put to music.

    I don’t want to ‘dis’ your only-too-correct comments on the space between our understanding and that of the Iron age. But I think that two things may offer a little light on how and why we read the succession narrative.

    The first is that it is an outstanding piece of writing by any standards at all. The terrible attempt by the lectionary to cut it on Sunday just pointed that up (not the first time I’ve wondered what the editors of it thought they were doing). Good story has its own power.

    Secondly, one has to ask who commissioned this account and why. I think the answer has to be Solomon’s court, as ’twere – thus not only does one have to explain why Solomon succeeded one also has to paint a very flawed but still in some ways great David. A man one might be glad to have as a father, and a man who it would be possible to offer a better alternative to. The last King, if a relative, should neither be too good or too bad. QED.

  4. revruth Avatar

    Oh my word! Why have I never heard this before? It is glorious and I am in love with it. There is absolutely nothing like a good lament. Dido’s Lament had better look out.

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