• Which bits of the Bible do you miss out?

    Which bits of the Bible do you miss out?

    Oh, if you are starting to huff and puff about that question, I hear you, I really do. After all, once you start to edit the Bible you’re making God in your own image, putting up idols of your heart and mucking about with the eternal truth of the ages which will stand undiminished, unchanged and with everlasting immutability forever and ever, Amen. Right?

    But seriously. Which bits do you miss out?

    Unless you are keeping kosher in the kitchen, don’t borrow or lend with interest and are prepared to take off all those mixed fibre clothes you are wearing now (yes, right now, take them off!) then you are doing it already.

    I preached last Sunday morning all about how I believe women and men to be created with equal dignity and worth. I said I would believe it whether I was a Christian or not because it is right anyway.

    Then by the evening I found myself in a church full of wandering eyes, sniggers and general incredulity as someone read the second lesson at Evensong.

    It was this passage from the letter to Titus.

    But as for you, teach what is consistent with sound doctrine. Tell the older men to be temperate, serious, prudent, and sound in faith, in love, and in endurance.

    Likewise, tell the older women to be reverent in behaviour, not to be slanderers or slaves to drink; they are to teach what is good, so that they may encourage the young women to love their husbands, to love their children, to be self-controlled, chaste, good managers of the household, kind, being submissive to their husbands, so that the word of God may not be discredited.

    Likewise, urge the younger men to be self-controlled. Show yourself in all respects a model of good works, and in your teaching show integrity, gravity, and sound speech that cannot be censured; then any opponent will be put to shame, having nothing evil to say of us.

    Tell slaves to be submissive to their masters and to give satisfaction in every respect; they are not to answer back, not to pilfer, but to show complete and perfect fidelity, so that in everything they may be an ornament to the doctrine of God our Saviour.

    For the grace of God has appeared, bringing salvation to all, training us to renounce impiety and worldly passions, and in the present age to live lives that are self-controlled, upright, and godly, while we wait for the blessed hope and the manifestation of the glory of our great God and Saviour, Jesus Christ. He it is who gave himself for us that he might redeem us from all iniquity and purify for himself a people of his own who are zealous for good deeds.

    Now, there we have a passage where women and men certainly are not regarded as equals and where slave owning is not so much as challenged but supported directly by the text.

    You know, the “so long as you are nice to them” argument in favour of slavery just ain’t kosher around here. It ain’t halal to us in St Mary’s. It ain’t righteous, godly or holy. And neither is treating women and men as anything other than of equal dignity and worth.

    Now, as a result of that, I found myself doing some quick mental editing to the prayers and giving thanks to God that we have learned so much more about the world since the letter to Titus was written.

    But what would you do? Would you put a note in the lectionary to ensure this isn’t read out loud the next time we get to that place in the cycle of readings that we use for Evensong? Unless I’m much mistaken, the compilers of the Revised Common Lectionary that we use in the morning have carefully and quietly nudged that passage out of use – it simply isn’t read once in the three year cycle. The last paragraph can be read on Christmas Day. But not the rest.

    So, what should we do with it when it comes up in the evening lectionary that we use? Read it and roll our eyes knowingly? Read it and denounce the things it represents in sermon, deeds and action?

    Or quietly cause it not to be read at all?

    Over to you.

9 responses to “The Lament Question”

  1. kimberly Avatar

    ask it in the singular, and the answer is: because you’re a four.

    you’ll have me playing the funeral ikos next.

  2. kimberly Avatar

    the other answer is about possibility being revealed in limits.

  3. kelvin Avatar

    Its not just me though, and not just fours.

  4. Aaron Orear Avatar

    I think because sorrow touches the core of the human condition – we are mortal but can perceive immortality. “He has made everything suitable for its time; moreover he has put a sense of past and future into their minds, yet they cannot find out what God has done from the beginning to the end.” (Eccl. 3:11)

  5. Erp Avatar
    Erp

    I understand Aristotle talks about catharsis and various philosophers have followed up on that idea.

    Perhaps it arouses sadness both from the art itself but also from our own sources festering within and allows us to let go. We feel better for the letting go, the lessening of our own internal sadness, and so perceive the art as beautiful.

  6. RosemaryHannah Avatar
    RosemaryHannah

    Kimberly was there before me. However, even I, a nine, can sometimes see the beauty in sad things. For me they do two things (may be more but two are most obvious). The first is the catharsis thing. The second is to make me less lonely. Look, here am I weeping, but all around me people sit in the same sorrow. It is not just my sorrow – I am not alone.

    I have long thought there is another answer, one I do not properly understand but I have (I think – and who am I to think it). Deep in God there is a huge well of sorrow. Unless we experience sorrow we cannot understand God. When we sorrow we tap into that well, and become closer to him.

    And being a nice cheerful nine, I will now add that I live in hope that having sorrowed with him, we will share also and even more fully in the joy which swallows the sorrow. Delete this last paragraph from your mind on reading, it will only spoil the joy of the sorrow.

  7. Elizabeth Avatar
    Elizabeth

    Edgar Allan Poe said the most beautiful thing in the world is a beautiful, dead woman. Nice, eh?

  8. Ritualist Robert Avatar
    Ritualist Robert

    Surely it’s because the concept of beauty is independent from concepts such as ‘sadness’ and ‘happiness’ – just as a G major chord might be loud or soft, but that volume has no effect on its G major-ness.

  9. Steve Avatar
    Steve

    I remember Augustine saying (don’t ask me where) that for a picture to be beautiful it requires dark colours as well as bright.

    There is also a hint of an answer in this poem by Edwin Muir:

    Yet still from Eden springs the root
    As clean as on the starting day.
    Time takes the foliage and the fruit
    And burns the archetypal leaf
    To shapes of terror and of grief
    Scattered along the winter way.
    But famished field and blackened tree
    Bear flowers in Eden never known.

    Blossoms of grief and charity
    Bloom in these darkened fields alone.
    What had Eden ever to say
    Of hope and faith and pity and love
    Until was buried all its day
    And memory found its treasure trove?
    Strange blessings never in Paradise
    Fall from these beclouded skies.

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