• Crunch time for the Church of England

    It is make your mind up time for the Church of England this week on the question of whether to move to open the Episcopate to female candidates. Somehow or another the synodical process in England has reached what seems to be a very unfortunate place. After many compromises to ensure that those who are opposed to the change could remain more easily in the C of E, legislation was drafted and send around their dioceses for approval – 42 out of 44 agreed to it. It was then sent to their House of Bishops who had a go at tinkering with it. It is that tinkering which has caused all kinds of bother. In short, the bishops made more explicit in the legislation some of the compromises that had been made earlier. Now their synod can only choose whether or not to return the legislation to the bishops to ask them to think again or agree to it and implicitly accept something that many, including many senior women clergy (and Lucy Winkett) find unacceptable.

    Looking on from outside, I think I feel that too many compromises have been made of over this already and I hope I’d have the courage to vote no if I was on a synod that had to made its mind up. Better, I think, to wait for a more equitable way forward, than to enshrine inequality in legislation that will be almost impossible to undo later on.

    The central problem is that the C of E managed to develop this system whereby some people within an Episcopal church could think that some bishops do not have the power that real bishops really have and that some priests may not really be priests at all.

    We don’t have the same issues in Scotland. You can think your bishop is not a real bishop all you like, but our canons don’t allow you to behave as though that it true. In England, that’s much less clear.

    At the centre of it all is this idea of “taint”, surely one of the most unpleasant theological concepts doing the rounds. Everyone says they don’t believe in it – however, the idea that a parish could require the supply of an alternative bishop who shares their theological convictions against the ordination of women, has never ordained women himself and has not been himself consecrated by someone who has consecrated or ordained women himself does rather look like a system which regards some people as tainted.

    Why should we care about this in the Scottish Episcopal Church? After all, we believe in the autonomy of other Provinces, don’t we? Well, the implications for us are quite serious.

    At one of our Episcopal consecrations not that long ago, we had a female co-consecrator from Sweden. (I tried to teach her the Gay Gordons at the party afterwards). The bishop whom she helped to consecrate has himself joined in, with all our other bishops, in the consecration of two more bishops.   And our Primus joined in, on our behalf, in consecrating the new female bishop in Iceland just a few weeks ago.

    Now, where does this leave us. I’ve an uncomfortable feeling that right now, those signs which hang outside some of our churches proclaiming us to be in full communion with the Church of England make a statement which, if tested, might actually be found to be untrue.

    With regard to the Church of England, this idea that you can choose your bishop according to your own theological peccadillos has done untold damage to the Anglican Communion. Its theology lies behind so very much of our recent sad history.

    I believe in Anglican Churches being broad churches. However, I can’t see how one can really have a church which legislates for people who don’t believe that some of its bishops are bishops.

    So, hoping and praying that someone manages to pull a rabbit out of an ecclesiastical mitre. Otherwise, sisters and brothers – Just Say No!

9 responses to “The Lament Question”

  1. kimberly Avatar

    ask it in the singular, and the answer is: because you’re a four.

    you’ll have me playing the funeral ikos next.

  2. kimberly Avatar

    the other answer is about possibility being revealed in limits.

  3. kelvin Avatar

    Its not just me though, and not just fours.

  4. Aaron Orear Avatar

    I think because sorrow touches the core of the human condition – we are mortal but can perceive immortality. “He has made everything suitable for its time; moreover he has put a sense of past and future into their minds, yet they cannot find out what God has done from the beginning to the end.” (Eccl. 3:11)

  5. Erp Avatar
    Erp

    I understand Aristotle talks about catharsis and various philosophers have followed up on that idea.

    Perhaps it arouses sadness both from the art itself but also from our own sources festering within and allows us to let go. We feel better for the letting go, the lessening of our own internal sadness, and so perceive the art as beautiful.

  6. RosemaryHannah Avatar
    RosemaryHannah

    Kimberly was there before me. However, even I, a nine, can sometimes see the beauty in sad things. For me they do two things (may be more but two are most obvious). The first is the catharsis thing. The second is to make me less lonely. Look, here am I weeping, but all around me people sit in the same sorrow. It is not just my sorrow – I am not alone.

    I have long thought there is another answer, one I do not properly understand but I have (I think – and who am I to think it). Deep in God there is a huge well of sorrow. Unless we experience sorrow we cannot understand God. When we sorrow we tap into that well, and become closer to him.

    And being a nice cheerful nine, I will now add that I live in hope that having sorrowed with him, we will share also and even more fully in the joy which swallows the sorrow. Delete this last paragraph from your mind on reading, it will only spoil the joy of the sorrow.

  7. Elizabeth Avatar
    Elizabeth

    Edgar Allan Poe said the most beautiful thing in the world is a beautiful, dead woman. Nice, eh?

  8. Ritualist Robert Avatar
    Ritualist Robert

    Surely it’s because the concept of beauty is independent from concepts such as ‘sadness’ and ‘happiness’ – just as a G major chord might be loud or soft, but that volume has no effect on its G major-ness.

  9. Steve Avatar
    Steve

    I remember Augustine saying (don’t ask me where) that for a picture to be beautiful it requires dark colours as well as bright.

    There is also a hint of an answer in this poem by Edwin Muir:

    Yet still from Eden springs the root
    As clean as on the starting day.
    Time takes the foliage and the fruit
    And burns the archetypal leaf
    To shapes of terror and of grief
    Scattered along the winter way.
    But famished field and blackened tree
    Bear flowers in Eden never known.

    Blossoms of grief and charity
    Bloom in these darkened fields alone.
    What had Eden ever to say
    Of hope and faith and pity and love
    Until was buried all its day
    And memory found its treasure trove?
    Strange blessings never in Paradise
    Fall from these beclouded skies.

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