• Statement on the fire at Notre Dame

    The fire at Notre Dame Cathedral is a tragedy not only for Paris and the people of France but for the world.

    Those who know the building will be unable to see the pictures of the fire without feeling heartbroken.

    So many different things that make up the building are priceless – the medieval roof, the woodwork, the organ, the stained glass, the relics. But this tragedy is more than the loss of them all. It is the loss of the heart of Paris, the loss of a place of pilgrimage and the loss of a place of romance.

    Every day this week, Christians will be reflecting on the heartbreak of Mary, the Mother of Jesus, to whom Notre Dame was dedicated. Every day as we do so, we will be praying for the Paris its people as they face their own heartbreak.

    Notre Dame means Our Lady. Notre Dame doesn’t just belong to Paris, it belongs to us all.

    This was a building that is utterly associated with Paris. But it was an utterly priceless treasure for the world.

    It was truly ours, and this tragedy is our tragedy.

    Our Lady of Paris, pray for us and for all affected locally.

    Our Lady of Paris, we pray for you.

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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