• In just three days…

    Every year I make a promise to people. I say that if they keep the triduum with me at St Mary’s then it will change their life and change their faith. I think that keeping the Triduum helps make sense of all that we do in church for the rest of the year. In just three days, you can learn things about the faith and why Christians believe the things that they do that are much harder to learn during the rest of the year.

    The Triduum is the three days from Maundy Thursday to Easter Day. Although the various services take place over several days, it is really one big feast, which is what makes it so extraordinary when you keep it in one place and experience the whole thing. It really is life changing stuff.

    A few years ago, I blogged about it, and it might be worth pointing people to those blog posts. There’s a few things we do a bit differently and I’ve changed my mind about one or two things too, but these blog posts do capture the essence of what we are up to.

    Maundy Thursday
    Veneration of the Cross
    Three Hour Devotions
    Good Friday Evening
    Holy Saturday – all hands on deck!
    The Vigil

    I’d say you’d kept the Triduum with me if you come to the Maundy Thursday evening service, two of the three services on Good Friday (try for the three hours if you can), the clean and polish on Saturday and the early fire Vigil and the main Festival Mass on Sunday.

    On Good Friday in the evening there will be a simple sung service of Night Prayer called Compline. On the Saturday evening we’re going to try something completely new. My colleague Maggie McTernan and I often go to a folk singaround in a local pub. We’re going to be leading a session of singing on the Saturday evening of Songs of Hope and Lament. People can bring a song to sing or simply come and listen to the singers and join in the choruses. (Only rule – no alleluias until Easter Day).

    This year we are having a revival on Easter Sunday and there will be a number of people who will be baptised at the Easter Fire Vigil.

    This is all open to anyone. You are just as welcome to participate if you have been at St Mary’s all your life or if you’ve never been. Some people come to keep these days here with us because their own church isn’t keeping them like this and they’ll be going back to their own church once Holy Week is done. That’s fine too. I’m also happy to answer questions as we go through these days about what it is all for. (The Saturday morning is a good time to talk).

    It really is life-changing if you do it all and there are people around who will testify to just that.

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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