• Trolleys are for Supermarkets

    I had a lovely morning today conducting a funeral service. Oh, I know lots of people don’t get that this can be satisfying but to me I can’t really think of a more lovely way of spending a morning than committing someone who has died at a great age into the love of God. The fact that the person who had died had in large part lived to make the world more beautiful only made it more lovely.

    I was struck by a brief conversation with the undertaker before the service went in. This wasn’t a busy funeral – the person who had died had outlived most of those who might once have come to celebrate her life. As the coffin was being taken out of the hearse, I was surprised to see three members of the undertaker’s staff join him in lifting the coffin onto their shoulders.

    “Oh, you don’t use a trolley?” I asked in surprise.

    The answer that I got was wonderful –

    “No, Mr Holdsworth, trolleys are for supermarkets, we always carry the coffin in”.

    I cannot tell you how pleased I was to hear this.

    So many funerals seem to involve a squeaky and undignified trolley. I even have to insist sometimes that the coffin is lifted onto proper tressels during the funeral itself. There’s many a person in the funeral business who would leave a coffin on the trolley throughout.

    Am I alone in thinking that there’s not much dignity in a coffin on wheels?

    I know there will be exceptions where a trolley is necessary and I guess that, in an industry that has seen costs soaring, it is going to cost more if one has to pay the pallbearers but I do prefer a coffin to be carried into church rather than pushed.

    At some crematoria where I’ve officiated the presumption is so much in favour of wheels that a kind of roll-on, roll-off trolley has become an integral part of the proceedings.

    We don’t talk that much about death, though there are some valiant attempts to get us to do so. There’s the death café movement that gathers people to talk about death and I seem to remember an initiative in the Church of England called Grave Talk which was an attempt to build up a conversation.

    I know that any undertakers will arrange for pallbearers to carry a coffin in properly if you ask them. That’s what undertakers do – they undertake to make the arrangements for you. I’m someone who mourns the transformation of undertakers into “funeral directors” – the very term seems to imply that the business knows better than either the celebrant who has probably got a bit of experience on how to do things properly, the relatives (who may, if they are feeling particular grief may well feel better for being involved in the funeral planning and service) and indeed the wishes of the person who has died if they did  the sensible thing and left instructions.

    The joy today was finding a company which just don’t normally use a trolley as policy. It is a small thing but an important one.

    Funeral trolleys always remind me of the wobbly nave altar in St Ninian’s Cathedral in Perth, which itself always looked as though it had been purloined from a hospital porter.

    Now where did undertakers’ trolleys come from? And why do people put up with them?

    They are hideous. Always hideous.

    No. No. Away ye trolley-bearers.

    And congratulations to Sim and Son for their trolley-free policy.

    (I’m happy to link to any other undertakers in the West of Scotland who never use a trolley)

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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