• Brexit – Five First Quick Thoughts

    • My first thoughts on waking to the news of the result of the referendum on membership of the EU are not with the markets nor about sovereignty but with individuals. In particular, my thoughts are with the considerable numbers of members of my own congregation who have come from the rest of the EU to make a home here and indeed those who have moved the other way and who are living in other European countries. There will be considerable numbers of people feeling very uncertain about their own place in the world.
    • My second concern lies with those who will be the poorer for this decision. Financial volatility seems destined to affect the poor disproportionately. So far I hear no discourse in the media about the least financially secure. One of the reasons that this has happened is that there has been a collapse in trust in the ability politicians in much of the UK to speak for policies that would benefit most of the people.
    • I don’t think that the economic questions facing Scotland got any easier overnight. The calls for a second independence referendum are surely coming our way but on what terms? A Scotland in Europe hitched to a pound out of Europe? An independent Scotland committed to a Europe that fractures even more? Neither position is terribly attractive. It seems to me that there will be further attempts across Europe to persuade countries to leave the EU. That becomes much more likely after this vote.
    • I fear that there are more referendums heading our way whilst hating that way of making political decisions. We have representative democracy so that our representatives get to slug things out primarily so we don’t have to do so ourselves. Sadly I suspect there may be quite a lot of anger coming the way of our politicians. To some extent this result reflects the existence of quite a lot of anger already. However, politicians stand between the tyrant and the mob keeping both at bay.
    • The most frightening thing I saw over the last few days was the relatively powerful in the country having no contact at all with the disaffected majority. Again and again I heard people of the intelligentsia (a group I’d have to acknowledge I belong to as a card carrying member) saying that they simply knew no-one at all who wanted to leave and didn’t believe that it could possibly happen. We are divided and in ways I fear.

    There will be more to say later.

    Very much more.

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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