What is in Kelvin's Head?

  • Jesus – the Angry Religious Man

    Here’s what I said in the pulpit yesterday for Lent 3

    Sermon preached by Kelvin Holdsworth on 8 March 2015 from St Mary's Cathedral, Glasgow on Vimeo.

    The door opened. That door at the back, with its annoying squeak. And I looked up and immediately I was afraid.

    I saw someone come in and knew that I needed to do something and do it quickly.

    I checked the clock and took off my headphones.

    Either I needed to shout at everyone to evacuate the building or I had to try to do something myself.

    I looked around and decided to walk forward and try to distract him and see what happened.

    We were about to do a Radio Broadcast. A live radio broadcast and the clock was, well, not ticking because things like that need to be silent when we are recording, but the clock was moving inexorably towards 8.10 and the moment when the red light would go on and I would say, “Good morning and welcome to St Mary’s Cathedral in the City of Glasgow, a city that is still in shock.”

    It was the day after the terrorist attack at Glasgow airport. Transport systems were in a mess. The airport was completely locked down and roads were closed all over the place. People couldn’t fly into Scotland. There was transport chaos and the police still didn’t know how many other people were at large who intended harm.

    And that door right there opened right before an advertised liver broadcast and someone unexpected came in. Someone whom I didn’t know.

    And in that instant I saw a stereotype walk into the cathedral. He was young and rather swarthy looking. I later discovered that he was indeed just back from Libya and he looked like it.

    A thin white scarf around him. Khaki camouflage clothes. And a backpack.

    It was the backpack that worried me most as I walked towards him.

    Hello I said, welcome to St Mary’s.

    These are the words that I use when I think someone is about to blow me and the cathedral up.

    Hello, welcome to St Mary’s.

    Hello, he said.

    There was a pause as I looked him up and down and he did the same to me.

    Do you mind telling me, I asked – do you mind telling me what’s in the backpack. (more…)

    , , , , ,

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

    Reply
  2. Rev Ruth Avatar
    Rev Ruth

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

    Reply
  3. kelvin Avatar
    kelvin

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

    Reply
  4. david Avatar
    david

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

    Reply
  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

    Reply
  6. John Woodhouse Avatar
    John Woodhouse

    It’s a great work – saw it at ENO.

    Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

Previous Posts

  • Who is the fairest of them all?

    I suppose that the idea of the political parties squabbling to represent themselves as the fairest of them all is something which we should welcome. Yet there is something about the current scrapping over public spending cuts which seems faintly unsavoury and its getting in the way of trying to think through different solutions to…

  • RSA Animations

    I love the animations that the RSA are producing these days. Here’s a good one on changing educational paradigms. Just over 10 minutes – lots of ideas, hard-core animation, first class communication skills.

  • Lightbox time

    I’ve alluded on this blog before to the fact that as autumn comes on I use a lightbox. Well, lightbox time is well and truly here. About 10 days or so I took it down from the cupboard where it lies hibernating for the spring and summer and set it up on my desk. 10000…

  • 10 10

    Hey, have you heard about the campaign to get everyone to try to cut their energy use by 10% in the year 2010? Well, if you haven’t and you are in St Mary’s, you can find some information on a temporary noticeboard at the back of church on Sunday. Anyway, I was thinking about this…