What is in Kelvin's Head?

  • The Antisemitism Notice

    Someone asked me to share the note that we put in our service sheets in St Mary’s about antisemitism. This has evolved over the last few years but the statement below is what it looks like at the moment. We’ve also changed the pattern of readings we use at St Mary’s. In particular, we no longer read the whole of the Passion According to John on Good Friday, preferring to intersperse some passages from it with others from scripture. We are also no longer singing the Reproaches as part of the Good Friday liturgies and are still looking for an alternative text.

    Once I would have thought that these things didn’t matter. Right now I think they matter very much.

    A Note on Holy Week

    During Holy Week, there will be readings from the Passion narratives from the gospels, as has been the custom for Christians throughout the centuries. These texts need to be read carefully and thoughtfully. The term ‘the Jews’ in the Passion readings applies to particular individuals and not to the whole Jewish people.

    There is some debate amongst scholars as to how the words which have been translated as “the Jews” should now be translated. Some would translate them as “the Judeans”. Others would retain the traditional reading whilst acknowledging the harm that has been caused by the ways in which these words have been used.

    Whichever translation is used for individual words in the Passion Reading, Christians need to be aware that Holy Week has historically been a time of increased antisemitism and of antagonism and violence towards Jewish people. This is a matter of repentance for Christians.

    References in the scriptures and in the hymns and prayers to those who accused Christ or killed Christ are references to historical figures. These people do not represent the Jewish people or Judaism.

    At a time of increased antisemitism in the world, some verses in the Scriptures may be better dealt with in thoughtful study and reflection rather than the drama of public liturgy.

    Members of the Christian community are invited during this week to think of the times when we have turned against Christ and to reflect on the possibility that had we been present at the time, that perhaps we would have found ourselves to be amongst those who called for him to be crucified.

    ,

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

    Reply
  2. Rev Ruth Avatar
    Rev Ruth

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

    Reply
  3. kelvin Avatar
    kelvin

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

    Reply
  4. david Avatar
    david

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

    Reply
  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

    Reply
  6. John Woodhouse Avatar
    John Woodhouse

    It’s a great work – saw it at ENO.

    Reply

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