• For the cartoonists

    I used a cartoon, and a religious cartoon at that, on, my blog yesterday and yet I live.

    I sometimes pray for satirists – those who come to occasional services in St Mary’s may occasionally have heard me do so. They don’t usually get enough prayers. Today, sadly, the thoughts of the world are with them.

    The killing of the journalists and cartoonists in Paris today made me think of a divinity class I was in long ago. We were talking about feminism and ethics, that being the stuff I was made on. We had discussed non-violence and non-violent protest. Inevitably we had made an excursion around Ghandi and Martin Luther King Jr and had probably had a go at whether Bonhoeffer was justified in getting involved in the plot against Hitler. We noted that these were all men, of course, and and talked about whether that was inevitably so.

    Eventually, someone said, “Yes, but what about real tyrants. What do we have to say to people facing real tyranny. Do we tell them to go floppy in the middle of the road as part of a protest when they will just get killed for it? What about tyrants – how do we deal with them?”

    There were no answers forthcoming from the class but there was from the person teaching it.

    “Make people laugh at them” she said.

    I’ve never forgotten that answer and I don’t forget it today, for all its problems.

    I realised then that words and ideas were always more potent, always more powerful than force. It was a moment when something significant made sense to me for the first time. Humour can be savage and sometimes needs to be.

    The killings in Paris do no honour to any god. They dishonour our common humanity.

    And so I turn back to my prayers.

    For satirists, humourists, cartoonists.
    For journalists. For bystanders.
    For those who take risks to disturb our peace of mind.
    For those who take risks to give the peace and security for them to do so.

    Lord in your mercy.
    Hear our prayer.

     

     

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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