• Dinner at the Trades House

    cufflinks

     

    Out last night to a lovely dinner with the Trades House of Glasgow.

    Glasgow is one of those cities where the Medieval Guilds of the city still exist. The various trades in the city formed themselves in to Incorportated Crafts which were ways of regulating (and monopolising) trade as the city grew.

    Nowadays they give away a lot of money (over £600 000 a year) and maintain various traditions centred around the Trades House in Glassford Street.

    Last night’s dinner was the choosing dinner for the Deacon Convener of the House. This is the highest honour for those involved and the person takes on a civic role in Glasgow for their year of office.

    This year’s Deacon Convener is the Rt Rev Idris Jones, formerly the Bishop of Glasgow and Galloway and so it was good to be there to cheer him on as he took up his new role.

    It was a great night out and fascinating to see an institution which dates back to the middle ages still functioning and still doing its bit to offer relief to those in need and training to the young.

    The dress code was “Official, Evening (White Tie) or Highland Dress. Insignia and Decorations” so we were all very spruced up.

    The best I could manage for Insignia and Decorations was the cufflinks pictured above.

    I made them on Monday.

     

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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