What is in Kelvin's Head?

  • Sermon preached on 28 September – Who do you think you are?

    Who do you think you are?

    In the name of the Father and of the Son and of the Holy Spirit.

    “Hello, can you help me, this is ICM and we are conducting a telephone poll in connection with the recent referendum would you be willing to answer some questions.”

    And I said yes – and the questions were mostly about whether or not I’d found it easy to vote in the referendum (I had) and about whether or not I had any concerns about widespread fraud having taken place (I had no concerns at all).

    When I said I had no concerns, she asked me why? Why did I have no concerns?

    Well, I know people who were there, I said – people from both sides who were at the counts and who saw what took place. And I was involved myself.

    It took quite a long time to answer all the questions but it went fairly smoothly until the end when she said, “Can I ask you some questions about who you are?” I agreed to this and readily gave away my age and all kinds of other information that one doesn’t normally dare ask someone in polite conversation.

    “And can I ask you what job you do?”

    “Yes, no problem, I’m a priest.”

    “Thank you sir – oh, I need to ask you what kind of priest. (more…)

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

    Reply
  2. Rev Ruth Avatar
    Rev Ruth

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

    Reply
  3. kelvin Avatar
    kelvin

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

    Reply
  4. david Avatar
    david

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

    Reply
  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

    Reply
  6. John Woodhouse Avatar
    John Woodhouse

    It’s a great work – saw it at ENO.

    Reply

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