What is in Kelvin's Head?

  • Pictures to think about #2

    There I was last week standing in the Basilica of San Vitale in Ravenna, staring up (as you do) at the stunning mosaics high up on the walls. The pictures are astonishing and I may get round to posting some of them online later.

    My attention was distracted though by a small boy rushing backwards and forwards in front of the altar. Whilst everyone’s eyes were up towards the ceiling, he was staring intently down at the floor.

    image

    Backwards and forwards he went – to and fro. It took me a few moments to realise that there was a pattern to his movements. He alone in the place had realised that there was an old labyrinth laid into the floor right in front of the altar. He was following in the pathway right into the middle, at which point he ran off to find some other entertainment.

    It is a fairly small labyrinth – about 12 feet wide and made more for small feet than my own feet. (Labyrinths – Young Church, hmmm…)

    All the same, I started to walk it and soon found myself thinking about those whom I had brought with me on my travels in my mind. As a priest it is a kindness to your congregation to forget about most of them when you go away on holiday. Everyone needs time off and you can serve better when you get home if you have a rest for a while. All the same, some people linger in your mind and I found some of them with me as I travelled the circles in front of the altar. And those whom I think about from my own life too – the people I carry in my heart wherever I go, some of whom do the same for me and some of whom would be astonished to know they were being prayed for in a sixth century basilica in modern day Italy.

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

    Reply
  2. Rev Ruth Avatar
    Rev Ruth

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

    Reply
  3. kelvin Avatar
    kelvin

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

    Reply
  4. david Avatar
    david

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

    Reply
  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

    Reply
  6. John Woodhouse Avatar
    John Woodhouse

    It’s a great work – saw it at ENO.

    Reply

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