• A blessing for Vicky Beeching

    I see from my twitter feed that there is a big church story in the press just breaking as I write this. Vicky Beeching has talked about being a gay woman for the first time. It is a big story because she has a strong public profile which she has worked hard to build up and because a lot of her music is sung in big evangelical churches in the USA and elsewhere.

    Earlier this year she revealed that she was supportive of LGBT people and causes and received both support from some and condemnation from others. Vicky’s situation seemed particularly poignant since her income partly depends on her songs continuing to be circulated and sung by some of the very people who might be inclined to condemn her.

    At the time, she was quoted as saying:

    It’s important to me to retain evangelicalism as part my Christian identity. I don’t think the two [evangelicalism and supporting same-sex relationships] are incompatible. I don’t want to lose what evangelical means; there are so many good aspects of it. The Bible is as important as ever; my LGBT theology comes from a high view of scripture, not throwing the Bible out the window. People have accused me of watering down what the Bible says, but for me it’s about using the brain God has given us to put the verses [about homosexuality] into their proper historical context.

    I simply don’t know whether the attempt to retain evangelicalism as an identity whilst being lesbian or gay is possible – it wasn’t for me. However I’d want to wish her the very best in trying to work it out.

    My own experience of coming out quite publicly (ie in the pulpit) at a similar age is that everyone I heard from was supportive. If there were any who were upset or critical they managed to keep it to themselves.

    All this is highly pertinent to the post I wrote about what it means to be an Evangelical. There are people who attend Evangelical churches who wouldn’t recognise my description – for them the camaraderie and the music are far more definitive of who they are than anything about theology, the cross or the bible.

    I don’t know what will happen to Vicky Beeching’s reputation amongst Evangelicals now.  However, just as Alan Bennett famously said that Cranmer didn’t die for English Prose, neither is Evangelicalism defined by the sexuality of who writes its choruses. At least, one hopes not.

    I want to wish Vicky Beeching a blessing as she negotiates a new world. What she has done in being honest is a big thing. She must not be defined by whether others accept her or not. So, a big blessing for Vicky Beeching today, I say. She will have given lots of people a lot of hope and helped many to stay in touch with God simply by doing what she has done so publicly.

    Eternal God of truth and love,
    bless those who come out this day with joy and delight,
    bless those who fear honesty with greater maturity,
    bless those who look for love this day and every day.
    Amen.

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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