• I believe in Europe

    I believe in the European Union as a great positive in our lives because it is in the process of minimising two things – roaming charges for mobile phones and war in western Europe.

    And a whole lot more of course too. But that seems to encapsulate why I care about Europe. I want forms of good governance which can benefit the citizens of these countries and I also want these countries, which have historically been at war to put that behind them and live at peace.

    Now, in saying that I want good governance in Europe, I’m not of a belief that we’ve got that right yet. (Nor am I of the belief that government at Holyrood or Westminster is perfect either). It seems clear that there will, for a long time, be the need for reform of the European institutions. However, that is a process that is not merely worth being a half-hearted part of but worth making commitments to, in order to be able to shape and mould things as they change.

    I’ve been wrong about some things in Europe. I thought the Euro was a good idea and though I still like the notion of a single currency, I’ve also seen very clearly that independent nations cannot realistically share their money without having a common economic policy. Having seen it go spectacularly wrong in Europe, it seems obvious to me that the same mistakes can’t be allowed to come to pass within these islands. States which have economic independence need their own currency for their own good.

    However, I’m suspicious of the nation state itself. It seems to me to be a positive good that the nation state (The United Kingdom) that I live in, is part of a multiple set of identities in which British nationalism is compromised from both within and without. Nationalisms frighten me. I want them to be compromised by other commitments.

    So, I’ve voted in the European Election. (I had a postal vote this time). That I had some enthusiasm for voting was tempered a little by my having little enthusiasm for any of the options on the ballot paper. I did manage to cast a vote and I think that it is important to do so even if one has to hold one’s nose whilst voting, either metaphorically or physically.

    I believe in Europe and Europe needs us to believe in it. It isn’t just mobile phone charges that matter, of course. Things like global warming need much stronger action than they are currently getting and a European Parliament can and should be one focus for working to make the planet work. And our continent is far from free from conflict either. However the structures of the EU are part of a political settlement, unsure and vulnerable though it is, which have prevented the horrors of all out war that directly affected my parents and grandparents.

    Vive L´Europe! Long live the European Union!

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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