• Was Jesus nice to women?

    I’ve been thinking about that gospel reading that we had on Sunday all week.

    Here at St Mary’s I read the central part of the reading, the dialogue with the woman at the well as a dialogue between my voice and that of a female member of the congregation. You learn new things by the way you perform scripture. I found myself feeling more uncomfortable reading the words of Jesus to a woman who was standing there responding than I would had I just read the whole of the gospel out in my own voice.

    ‘Go, call your husband, and come back.’
    ‘I have no husband.’
    ‘You are right in saying, “I have no husband”; for you have had five husbands, and the one you have now is not your husband. What you have said is true!’

    How did it feel to be on the receiving end of that?

    It made me wonder whether again whether Jesus was nice to women and how I can know.

    There is a view that is fairly common that Jesus was better than most men at the time because he spoke to women and the culture he lived in was not one in which women and men could normally converse. This is a relatively common reading of Jesus’s dealings with women, particularly by liberals.

    I would parrot that view were it not for a conference I went on a few years ago when a feminist orthodox Jewish scholar made the case that this is an antisemitic reading of scripture and that Jewish culture then as now was one in which men and women could converse, do business and make friends. Imagining a world which is particularly negative for women and placing an imagined Jesus in the middle of it who seems to have more liberal values is a way of denegrating the culture and sociological surroundings that he had.

    That gospel reading does provide some fuel for this negative reading of Jewish culture of the time with the line:

    Just then his disciples came. They were astonished that he was speaking with a woman, but no one said, ‘What do you want?’

    However, one can counter that by saying – well, John’s gospel is the most uneasy of the gospels when it comes to affirming the Jewish tradition that Jesus came out of. Perhaps this is an early Christian slur against Jewish life alongside a lot of other negative language about “the Jews” in that gospel.

    It often strikes me that we want to believe in a Jesus who was nice and who by implication will like us and like our own mores, presumptions and even peccadillos.

    Scripture doesn’t always help us to maintain that view.

    Was Jesus nice to women? Can you answer this in the affirmative without denegrating the culture he came from?

    And for a side discussion – what are the issues around giving this picture to children to illustrate the tale?

    jesus-with-the-samaritan-woman-at-the-well - small

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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