What is in Kelvin's Head?

Christmas in St Mary’s (with a twist at the end)

17/12/2022

Christmas is a time of joy and celebration, and there is perhaps no better place to experience the magic of the season than at St Mary’s Cathedral in the Scottish Episcopal Church. With its stunning architecture and rich history, this beautiful space offers a truly special and meaningful way to celebrate the birth of Jesus.

One of the highlights of a Christmas service at St Mary’s Cathedral is the music. The cathedral’s choir is known for their beautiful voices and their ability to bring the festive carols to life. The church also features a grand organ, which adds a sense of grandeur and majesty to the service. Whether you’re a fan of traditional carols or more modern hymns, you’re sure to be moved by the beautiful music at St Mary’s Cathedral.

Another highlight of a Christmas service at St Mary’s Cathedral is the sense of history and tradition. The cathedral dates back to the 19th century and is known for its stunning Gothic architecture. The service itself is filled with rich traditions, such as the lighting of the Advent wreath and the reading of the Christmas story from the Bible. These traditions help to create a sense of awe and wonder that is so fitting for the holiday season.

But perhaps the most special aspect of a Christmas service at St Mary’s Cathedral is the sense of community and togetherness. As people from all walks of life come together to celebrate the birth of Jesus, there is a feeling of unity and love that is truly special. Whether you’re a lifelong member of the cathedral or a newcomer to the community, you’ll feel welcome and included in the celebration.

In short, Christmas services at St Mary’s Cathedral in the Scottish Episcopal Church are a truly special and meaningful way to celebrate the holiday season. With their beautiful music, rich traditions, and sense of community, these services offer a chance to experience the magic and wonder of Christmas in a truly special and meaningful way.

If you’ve made it through this blog post this far and you have a slight sense that there’s something odd about it the you’d be correct. The post above, not in italics wasn’t written by me. It was written by a machine – specifically the ChatGPT bot that has recently been released to the world. You tell it what you want it to write and it does it.

This one was generated by the prompt, “Write a blog post about how wonderful Christmas services are at St Mary’s Cathedral in the Scottish Episcopal Church”.

Now, it doesn’t sound quite like me and it isn’t the most exciting writing there is. Perhaps it is even slightly stilted. But it is a fairly convincing attempt at the problem I gave it to do.

This technology is going to make all things new. Academia in particular is going to have to change very quickly in the way it assesses students.

This is disruptive technology. It can be used to do funny things – I could just have easily got it to write the above post in the voice of Donald Trump.

Thus: “Let me tell you, folks, this place is amazing. The music is absolutely incredible, with the choir singing all of your favorite carols in the most beautiful way. And the organ! Wow, what a sound. It’s truly something to behold…”

But this isn’t just entertainment. It is something completely and utterly new. Nothing you ever read again comes with a guarantee that it was written by a human being.

The world is changed. As someone once sent with a telegraph key, “What hath God wrought”?

6 responses to “Dialogue des Carmélites”

Moyra

25/06/2008

Mmmmm now you’re giving me ideas!

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Rev Ruth

26/06/2008

Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

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kelvin

26/06/2008

I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

The stage was littered with dead nuns by the end.

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david

26/06/2008

It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

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Jonathan Ensor

29/06/2008

Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

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John Woodhouse

29/06/2008

It’s a great work – saw it at ENO.

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