What is in Kelvin's Head?

Coping with horror

23/05/2013
I don’t mean how does the country deal with terror attacks. I mean how do we cope with news coming onto our screens that contains horrific events.

There have been a number of news items this week which have just been horrible. The suicide of a right-wing activist next to the altar of Notre-Dame Cathedral in Paris. A feminist protest the next day in which a “mock suicide” was staged in the same place in the same cathedral. The continued terror attacks in Iraq – bombing after bombing. And now this ghastly murder on the streets of Woolwich.

How do we cope with hearing these things without becoming brittle? How do we cope with these things without becoming desensitized to the horror of what we see?

There are obvious political moves that are needed, such as the condemnation of those who would make capital out of such horror and try to use it to bring hate to the streets. The resurgence of the far-right, particularly in the south of England is a frightening reality in itself. But how to cope as a human being with hearing stories of horror?

Here’s some ideas for trying to live with it all:
- Don’t block out the news, try to take it in. But don’t sit listening to the endless repeated loops of 24 hour news stations.
- Read the opinions of those with whom one does not immediately agree.
- Know that the answers cannot always be found merely in words and thoughts – music and art and religious practice can be places where answers are to be found.
- Remember that faith and history teach us that horrific murders have always been part of human experience and remember that this does not excuse them.
- Try to judge people by their ideals rather than by one’s own fears.
- Be kind. Use bad news as a reminder to be kind.
- Pray for the peace of the streets and remember those whose vocation is keeping that peace.
- Write. Talk. Discuss. Listen. Understand. Act justly.
- The only acceptable revenge is living well.
Notre Dame, suicide, Woolwich attack

6 responses to “Dialogue des Carmélites”

Moyra

25/06/2008

Mmmmm now you’re giving me ideas!

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Rev Ruth

26/06/2008

Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

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kelvin

26/06/2008

I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

The stage was littered with dead nuns by the end.

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david

26/06/2008

It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

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Jonathan Ensor

29/06/2008

Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

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John Woodhouse

29/06/2008

It’s a great work – saw it at ENO.

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