• Palm Sunday

    There’s no sermon from yesterday to upload. It is the only Sunday in the year when we have no preaching and simply let the story do the work. It is our custom on Palm Sunday to read the Passion story – that’s the story of the end of Jesus’s life from whichever gospel we have been reading through the year.

    Here at St Mary’s, the congregation, who are the body of Christ, read the words of Jesus whilst two people at the front narrate the rest of the story.

    Yesterday is probably the chilliest Palm Sunday on record. Here in this part of the world, we usually associate Holy Week with a growing sense of spring. New life is all around us. This year, it feels as though it hasn’t quite arrived.

    However, that’s a reminder that Holy Week is celebrated in all kinds of contexts. I struggle a bit working out how people could celebrate Easter in the autumn, but that, of course, is what happens in the southern hemisphere. There must be places where Palm Sunday is always held in the snow and it is hard to imagine what that is like.

    As it was yesterday, there was not much snow here. Much of the rest of the country was covered in it but it was a clear, if bracing day.

    I found myself taking to liturgical gloves.

    Brrr.

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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