• Generation Self

    There’s a fascinating piece in the Guardian this morning about Generation Self – that’s the name being given to those who are around the age of 20 at the moment.

    It seems to some pollsters that as they enquire about the values that people who are that age hold they are being surprised at how much more right wing they seem to be than previous generations.

    It seems to me that there may be something in the analysis. I’m the generation that doesn’t really know his neighbours. Those younger than me seem to be those who really don’t want to know their physical neighbours. I can’t imagine voting for a party who say they want to crack down on welfare spending in order to give me tax cuts but it now seems to be a respectable thing to say and something which seemingly “respectable” people advocate. Activism has become signing an on-line petition rather than joining with other people to get other people to help change the world.

    I remember being shocked at the last election by the number of young gay men I know who said that they were voting Tory and who seemed to think it was obvious that they should do so.

    “But, but, but… Section 28, Mrs T, solidarity!” I cried to no avail.

    If there is something in this Generation Self thing then it needs a lot of thought. Apart from everything else, the views and peccadilloes of the twenty-somethings of every age somehow seem to define who the rest of us are. They set the direction.

    And so, the churches that are going to benefit are going to be the churches which speak right into the experience of those values being lived. Who will succeed? Who will fail.

    All I can see on the horizon is success for those churches which give a clear identity message and doom for those churches which are based on a parish/district model of attracting people simply because they are in the locality.

    I can see a future for confident evangelical churches – probably getting bigger again as they offer something directly to a generation who seem to be in the “What’s in it for me?” mentality. What’s in it for you, sunshine? Oh, eternal life, salvation, big things. All for you. I also think that there is a possibility that such churches will increasingly be promoting social justice issues though probably single-issue things like the environment.

    And I can see a future for confident expression of a more catholic counterculture to the zeitgeist. I can’t see much of a future for conservative catholicism in any denomination. I can see churches providing spaces and places for those who dream of a connected world, a world where neighbourhood is defined by values not locality and a world where the sacramental refreshes through sign and symbol a bunch of people who are pretty much out of sorts with the prevailing winds of opinion.

    “Come to us because we are here in your neighbourhood” just isn’t going to cut it.

    Heaven knows, it hasn’t been cutting it (with the possible exception of a few very leafy locales) for quite a while.

    if you are not one of them, what do you make of Generation Self? Do you like them? Do they care? What can be done to open the possibility of church as a life enhancing opportunity to them?

    If you are a twenty-something, does the description Generation Self feel right?

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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