• So, let me get this right…

    Let me be sure I’ve understood this.

    From sometime next year or the year after, a gay couple will be able to get a Civil Partnership, then come to a Scottish Episcopal Church for a blessing from a Scottish Episcopal priest, make promises to one another, exchange rings, have them blessed, sing hymns and have a Eucharist celebrating their union. And then they will be able to convert it to a marriage soon after (what a day later?) by filling in a form and paying a small fee. Or maybe they will not even need to go through the Civil Partnership bit and just be able to come for the whole blessing thing after getting married.

    And that’s going to be OK with just about everyone. Admittedly not absolutely everyone but not far off.

    And we are now currently insisting in submissions to the Scottish Government that the same Scottish Episcopal Church is opposed by virtue of our doctrine to same-sex couples getting married.

    And we expect government (and the general population) to take us seriously.

    Have I understood that correctly?

6 responses to “Dialogue des Carmélites”

  1. Moyra Avatar
    Moyra

    Mmmmm now you’re giving me ideas!

  2. Rev Ruth Avatar

    Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

  3. kelvin Avatar

    I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

    The stage was littered with dead nuns by the end.

  4. david Avatar

    It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

  5. Jonathan Ensor Avatar
    Jonathan Ensor

    Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

    Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

    James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

    It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

    The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

  6. John Woodhouse Avatar

    It’s a great work – saw it at ENO.

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