What is in Kelvin's Head?

The 10 Commandments of Using Images on Church Websites

08/02/2013

1 – Thou shalt remember that a burning candle is not the only image of all that is holy and all that is true.

2 – Thou shalt not put the vulnerable at risk by revealing their identity and location.

3 – Thou shalt remember when using pictures of people that the Lord thy God made them in great and glorious diversity.

4 – Thou shalt not waste bandwidth and so shall learn how to reduce the size of thy photographs tenfold, fiftyfold or even a hundredfold.

5 – Thou shalt not use photographs of church meetings to illustrate the life of the church for to believe that the meetings of the church represent the life and joy that the Lord thy God brings unto thee is to have heard and believed the lies of the Evil One.

6 – Thou shalt not use photographs of groups of people where half the people have their backs unto the camera.

7 – Thou shalt not include more than one photograph of the bishop (or the moderator, the pope or the Lord High Executioner of Titipu) standing around in robes next to other people standing around in robes.

8 – Thou shalt love thy neighbour’s photographs as thine own, by setting up a Flickr group for them to post their images to so that you have a greater range of photographs to use on thy church website.

9 – Thou shalt respect the copyright of every image that thou shalt use and give credit where it is due.

10 – Thou shalt change thine images once in a while for to worship one image alone is not merely idolatry but risks the masses believing that the house of the Lord thy God is dull. And dullness is the sin against the Holy Ghost whereof many have spoken.

Photo Credit: Afonso Lima of Brazil

If you’ve any further commandments – do chip in with them in the comments.Â “Why just 10?” as Moses said as he staggered down the mountain…

church websites, how to use images, web design

6 responses to “Dialogue des Carmélites”

Moyra

25/06/2008

Mmmmm now you’re giving me ideas!

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Rev Ruth

26/06/2008

Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

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kelvin

26/06/2008

I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

The stage was littered with dead nuns by the end.

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david

26/06/2008

It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

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Jonathan Ensor

29/06/2008

Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

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John Woodhouse

29/06/2008

It’s a great work – saw it at ENO.

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