What is in Kelvin's Head?

While the shepherds at night were a-watching

19/11/2021

While the shepherds at night were a-watching
Where their flocks in the fields were abiding
Th’angel of the Lord came and stood down beside them
Opened his mouth and then greatly surprised them:
“Shine Jesus shine. Shine Jesus shine”
[Chorus]

Fear not said he for dread had seized them mightily
Minds were troubled, they all worried frightfully
I bring you tidings of gladness eternally
Dance with joy and with me sing supernally…
“Shine Jesus Shine. Shine Jesus Shine.
[Chorus]

Unto you is born now a saviour
Who is Christ the Lord and he made you.
He’s of David’s line, a descendent
Sing now to him for his sign is transcendent:
“Shine Jesus Shine. Shine Jesus Shine.”
[Chorus]

You shall find the heavenly babe there
To human view he looks lovely and very fair
All simply wrapped in bands that are swaddling
Sing to the child in the manger, the Godling:
“Shine Jesus Shine. Shine Jesus Shine”.
[Chorus]

Thus the angel spoke and suddenly
Throngs of angels appeared singing utterly
Beautiful music, their praises lasted long
As they sang forth they repeated the glorious song:
“Shine Jesus Shine. Shine Jesus Shine”
[Chorus]

“Glory be now to God in the highest
Peace to God’s people” they sang without shyness
Unto those upon whom his favour rests
With goodwill, may this song be ever blessed:
“Shine Jesus Shine. Shine Jesus Shine”
[Chorus]

6 responses to “Dialogue des Carmélites”

Moyra

25/06/2008

Mmmmm now you’re giving me ideas!

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Rev Ruth

26/06/2008

Oooh, I have that on CD and haven’t listened to it for ages. Love that chopping sound!

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kelvin

26/06/2008

I was told that some kind of scaffold had been rigged up offstage complete with block and tackle to provide the definitive thud as nun by nun, they fell to the floor.

The stage was littered with dead nuns by the end.

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david

26/06/2008

It is a real shocker at the end. Liked Poulenc’s music, and the singing was good (Monday performance).

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Jonathan Ensor

29/06/2008

Attended the performance on Thursday. Particularly liked the voices of Mere Marie(Elysia Leech) and the Father Confessor(L’Aumonier), James Geer.

Tim Dean led the performance admirably and there was hardly any poor casting although obviously with a student performance some were better suited to their roles than others.

James Geer is to be singing the Male Chorus in Britten’s “The Rape of Lucretia” at Aldeburgh-a favourite opera of mine with the Pagan story offset and contrasted with the choruses commenting from a Christian perpective.

It was good to see(at a distance) Donald Maxwell and Linda Ormiston in the foyer before the performance, both professional singers of some distinction. I remember them both from Good Shepherd Chorus performances at St Mary’s years ago.(Donald Maxwell sang the baritone part in a performance of Elgar’s “The Light of Life” and Linda Ormiston, who studied maths at Glasgow Uni and singing with the late Winifred Busfield who taught me, sang the alto part in Brahms’ Alto Rhapsody under Christopher Seaman.

The staging of Dialogue des Carmelites was very effective and succeeded in conveying most of the pathos of the final scene without gross exhibitionism, which would have made it unbearable to watch.

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John Woodhouse

29/06/2008

It’s a great work – saw it at ENO.

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