What is in Kelvin's Head?

Passion Sunday Sermon

19/03/2013

In the name of the Father and of the Son and of the Holy Spirit. Amen.

I realised yesterday before I wrote this sermon that I have no idea what spikenard smells like.

That it is basically an essential oil derived from the root of a plant related to Valerion which grows in the Himalayas was fairly easy to establish. But what does it smell like.

And what does Christianity smell like, for that matter.

This woman, Mary of Bethany appears in two significant places in the gospels and in both stories, smell is one of the most important features. Firstly she is there when Lazarus is raised from the grave â€“ with the fear of the stench of his rotten body a distinctive and memorable part of the story. And now she pours her perfume on another body â€“ a living body. For she anoints Jesus with her spikenard and wipes his feet with her hair. And her actions are in strong distinction from her sister who serves the meal.

There are so many questions to ask of this gospel reading. Who was she? Why did she do what she did.

And what does spikenard smell like? And why do we read this right now, on Passion Sunday when by tradition and habit our thoughts turn towards the cross.

I decided yesterday afternoon that the most fundamental thing I needed to know was what spikenard smells like.

(It is amazing what a preacher is prepared to do in order to put off actually writing the sermon).

I came to the conclusion that the West End was the perfect place to buy spikenard â€“ if you canâ€™t buy it round here, where can you buy it.

Well, an hour trudging around in rain soon proved to me that it is probably pretty hard to come by anywhere. Health Food shopkeepers shook their heads. Herbalists gazed at me with regret. Even the woman in the esoteric crystal shop up on Queen Margaret Drive admitted to her sadness that spikenard was not something she could help me with. (And she seemed to have answers to problems Iâ€™d never even thought of).

I came wearily home. And I turned to the internet. And quickly I found some information. I managed to get a description. I found it on an aromatherapy website, so as any of the many medics in the congregation will affirm, it must be 100% true.

It said… (more…)

6 responses to “Here or there?”

Gary

01/04/2007

Up there. High altar. No doubt.

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Tom Allen

01/04/2007

I am very much with Richard Giles on this one – there should liturgically only be one main altar – ideally this is achieved by romoving the former High altar and dedicating that space to some other purpose – where that is not possible as in historic cathedrals then it should be left dormant (covered in a simple cloth perhaps) and only the altar which is being used for worship should be dressed since this is in fact THE altar.

Despite all the reservations about removing former altars in the end it solves long-term problems, and provides a single visual focus for Eucharistic worship. At times when a high altar is needed then the new altar can moved there.

This kind of fuzziness illustrates that our liturgical practice has become dominated by hertiage criteria.

I am about to replace our main altar with something moveable and aesthetically more appropriate, but am facing a Registrars ruling that the current altar (and former eastward facing number more recently provided with wheels and moved to the chancel!) must be burnt, and that the wood frontal cannot be used for a screen.

Dont’ we get ourselves tied up in knots!
Tom

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Stewart

01/04/2007

A thought came to my mind this afternoon. At the Creed we all face east. This results in the choir turning their back on the Nave Altar and in most cases put the High Altar in their sight.

Considering Tom’s comments, another thought thinking about some English Cathedrals which have multiple altars around the building, it is not usually possible to see more than one at a time. Some have a chapel behind the High Altar – behind a screen.

Turning back to St Mary’s – all the action at the 10:30 service is centred and focused around the Nave Altar. However there is still the High Altar, the Pheobe Traquair Reredos and Gwyneth Leach mural of Our Lady at the East End. To my mind their presence enhances the worship around the Nave Altar and does not detract from it.

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Andrew

02/04/2007

The Altar is a table, where we commemorate a meal together. Clearly (to my mind) we should all be sitting round it, as we do (more or less) at present. The table reminds me that Jesus instituted the Last Supper when he was among us (HERE), not somewhere else (THERE).

I very much hope that the Altar in St. Mary’s can be left where it is.

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kelvin

03/04/2007

It seems to me curious that the practice that I inherited was to light and dress the high altar whilst using the nave altar. It makes no sense, except perhaps to highlight St Mary’s puzzling parallel worlds of deep conservatism mingled with radical liberalism.

Whist tending to agree with Andrew’s sentiments, it is worth remembering that the nave altar could hardly be said to have stayed in one place these last 20 years.

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Elizabeth

17/04/2007

Here. Both. Loving the paradox.

But maybe I only say that beccause the only church I’ve regularly worshiped in where there are clearly two visible altars is St Mary’s and that’s what I’m used to. I’ve never found it distracting that the high altar is dressed and lit, even though the nave altar is where the action is, so to speak. But then, would I notice if the high altar wasn’t dressed and lit? Probably not.

I do love the nave altar, peripatetic as it is!

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