• Back from hols and quick theatre reviews

    beckettsmall
    I’m back to work at St Mary’s today after a post-Christmas (well, post-Epiphany) week off. I’m writing this at the point just before I go into work, say morning prayer and open up the emails that have come in to me whilst I was away.

    It has been a busy week. I managed to fit in a trip to Yorkshire to see family and a wee theatre trip to London.

    Here are a few quick theatre reviews of what I saw.

    • Matthew Bourne’s Swan Lake at Saddlers Wells – by some distance the most exciting thing I saw. I’ve come rather late to this one but loved it. (Except the ending which reminded me of Brokeback Mountain – how often gay couples only end up together when they are dead).
      Rating: ★★★★★
    • Ghosts at the Trafalgar Studios – A very good production of this Ibsen play though I was surprised when I got in that I’d already seen a strikingly similar production of the same play at the Citz a while ago. Outstanding question – why did the maid and her father sound as though they came from Govan when they were supposed to be rural Swedes?  Apart from that, all made sense and this was quite gripping.
      Rating: ★★★★☆
    • Not I, Footfalls and Rockaby – the Beckett trilogy at the Royal Court. This was the one I booked in advance and indeed the one that prompted me to book the trip. A rare chance to see Not I, not least because of how difficult it is – the actor hangs upside down on the stage and delivers a monologue “at the speed of thought” whilst the only illumination in the whole theatre is a tiny pencil spotlight on her lips. This was chilling, fascinating theatre that plays with your mind.
      Rating: ★★★★½
    • From Morning to Midnight – a German expressionist piece at the Royal National Theatre. Brilliantly done. But should it have been done? I was far from sure. Reminded me of that terrible production of the Seven Deadly Sins that Scottish Opera did a few years ago.
      Rating: ★★★☆☆
    • Mojo – a relatively new play at the Harold Pinter Theatre. This one didn’t work for me at all – far too shouty. Odd that the people in the stalls seemed to think it was hilarious and those in the Royal Circle didn’t. How does this happen?
      Rating: ★★☆☆☆

    Not a bad trawl. Add to that three big sung services in musical churches in London, a hour or so looking at favourite things in the National Gallery, some good food and good company and you’ve got a flavour of what I was up to.

    I was in London for three nights, by the way and managed to come back without blisters.

2 responses to “Sermon on 10 August 2003”

  1.  Avatar
    Anonymous

    Re: Sermon on 10 August 2003
    Hi Kelvin – like the blog. Are you going to be posting all your sermons to the blog or just selected o­nes? Lots of people post them in advance – there are a couple of sites that i read every week before writing my sermon, but I have not heard of anyone else posting them for comments after they have been preached. I'm surprised that members of your congregation have not taken the chance to comment o­n this o­ne of yours – it is worthy of comment! Did anyone object to it?

    SIMON

  2.  Avatar
    Anonymous

    Re: Sermon on 10 August 2003
    Simon – thanks for the comment – the first o­ne o­ne to be made. You should try this blogging yourself, you would like it. You always used to keep a journal, I seem to remember. I think that I will probably be posting most sermons. There are just a few occasions in the year when I do something else rather than preach in a straightforward way (eg singing and then commenting o­n the song).  It will be interesting to see whether people do take advantage of the chance to comment. No-one objected to it o­n Sunday, and quite a few made encouraging comments. It feels good to be in a church where I can preach that kind of sermon. I could not do so everywhere, as you yourself know well!

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