• Visit of the Primus, the Most Rev Mark Strange

    It was great to be with the Primus, the Most Rev Mark Strange this morning in St Mary’s in which he talked about authority and what he’s been discovering since being elected as Primus.

    Here’s his sermon:

    Here’s the forum conversation we had after the service in which we talked about he Anglican Communion, the Scottish Episcopal Church, how we relate to the Church of Scotland and other churches in Scotland and lots more:

    Here’s the Q and A with questions from the congregation:

One response to “Review: Orfeo ed Euridice, Scottish Opera”

  1. Alison Clark Avatar
    Alison Clark

    I agree about the orchestra – competent enough but too large I thought. But I loved Caitlin Hulcup’s Orfeo. I saw the production at the Sunday matinee and passion there was a-plenty. ‘Che faro’ delivered from lying to kneeling to standing was just wonderful. So much so that I struggled with the swift transition from tragedy to happy ending, made more acute by Amor – if Grace Kelly, then a rather louche version!
    I did enjoy it but your review made me realise what was unsatisfying for me. The ‘Mad Men’ 50s theme (seems to be a current choice for designers) was at odds with what is quite a profound myth. It was fun but that’s not what I go to Orfeo for. Maybe i need to lighten up!
    As to the ‘steampunk party’, it was the underworld surely – but if Hades is that camp, then it might be quite fun. Loved your description of the lime green nuns!

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