• Should straight people be allowed to get married – a sermon preached on 30 July 2017

    The question that remains with me after all these years of debate about marriage has still not been resolved, even after this year’s General Synod.

    I’ve read theological opinions about marriage. I’ve debated about marriage. I’ve gone on the radio to talk about marriage. I’ve spent my time wishin’, and hoping and praying that we would change our discipline on marriage.

    And still I feel as though the big question remains unresolved. Unconsidered even.

    The question is this… (more…)

One response to “Review: Orfeo ed Euridice, Scottish Opera”

  1. Alison Clark Avatar
    Alison Clark

    I agree about the orchestra – competent enough but too large I thought. But I loved Caitlin Hulcup’s Orfeo. I saw the production at the Sunday matinee and passion there was a-plenty. ‘Che faro’ delivered from lying to kneeling to standing was just wonderful. So much so that I struggled with the swift transition from tragedy to happy ending, made more acute by Amor – if Grace Kelly, then a rather louche version!
    I did enjoy it but your review made me realise what was unsatisfying for me. The ‘Mad Men’ 50s theme (seems to be a current choice for designers) was at odds with what is quite a profound myth. It was fun but that’s not what I go to Orfeo for. Maybe i need to lighten up!
    As to the ‘steampunk party’, it was the underworld surely – but if Hades is that camp, then it might be quite fun. Loved your description of the lime green nuns!

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