What is in Kelvin's Head?

  • Scottish Episcopal Kalendar 2024

    For years now, I’ve produced a Kalendar for the Scottish Episcopal Church with all the bible readings set out for the year.

    This year’s Kalendar is available online so that anyone can download it and print it out for themselves.
    It is available right here: Kalendar 2024

    Anyone who would like to make a donation because they enjoy the Kalendar so much and want to encourage me to keep doing it is welcome to do so via paypal.

    Alternatively, anyone who wishes to purchase a printed copy can do so here: Buy a Kalendar

One response to “Review: Orfeo ed Euridice, Scottish Opera”

  1. Alison Clark Avatar
    Alison Clark

    I agree about the orchestra – competent enough but too large I thought. But I loved Caitlin Hulcup’s Orfeo. I saw the production at the Sunday matinee and passion there was a-plenty. ‘Che faro’ delivered from lying to kneeling to standing was just wonderful. So much so that I struggled with the swift transition from tragedy to happy ending, made more acute by Amor – if Grace Kelly, then a rather louche version!
    I did enjoy it but your review made me realise what was unsatisfying for me. The ‘Mad Men’ 50s theme (seems to be a current choice for designers) was at odds with what is quite a profound myth. It was fun but that’s not what I go to Orfeo for. Maybe i need to lighten up!
    As to the ‘steampunk party’, it was the underworld surely – but if Hades is that camp, then it might be quite fun. Loved your description of the lime green nuns!

    Reply

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