What is in Kelvin's Head?

  • The Kalendar for 2022 – 2023 is available free!

    For years now, I’ve produced a Kalendar for the Scottish Episcopal Church with all the bible readings set out for the year.

    In the past I’ve sold it for around £4. For a range of reasons, I’m not going to be selling it this year but am releasing it online so that anyone can download it and print it out for themselves.

    It is available right here: Kalendar 2023

    Anyone who would like to make a donation because they enjoy the Kalendar so much and want to encourage me to keep doing it is welcome to do so via paypal.

     

     

One response to “Review: Orfeo ed Euridice, Scottish Opera”

  1. Alison Clark Avatar
    Alison Clark

    I agree about the orchestra – competent enough but too large I thought. But I loved Caitlin Hulcup’s Orfeo. I saw the production at the Sunday matinee and passion there was a-plenty. ‘Che faro’ delivered from lying to kneeling to standing was just wonderful. So much so that I struggled with the swift transition from tragedy to happy ending, made more acute by Amor – if Grace Kelly, then a rather louche version!
    I did enjoy it but your review made me realise what was unsatisfying for me. The ‘Mad Men’ 50s theme (seems to be a current choice for designers) was at odds with what is quite a profound myth. It was fun but that’s not what I go to Orfeo for. Maybe i need to lighten up!
    As to the ‘steampunk party’, it was the underworld surely – but if Hades is that camp, then it might be quite fun. Loved your description of the lime green nuns!

    Reply

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