What is in Kelvin's Head?

Review – Don Pasquale – Scottish Opera

29/01/2014

Rating:

This review also appears at Opera Britannia

Obviously intended to be another populist crowd-pleaser, Scottish Opera’s new production of Don Pasquale is visually gorgeous but sabotaged from the pit by conducting from Francesco Corti that is bold, daring and utterly insensitive to the fact that anyone is singing.

Things began well. On entering the theatre, the curtain was dominated by a large projected image apparently advertising the production. The first few bars of music came at a cracking pace and then a pause slightly more pregnant than usual as the digital image was revealed to be the first page of a digital book. As the overture continued, an unseen hand then started to scroll through the pages which turned out to be the pages of an Italian photo-story featuring the characters we were about to be introduced to. They gave the back-story to the production which was, and one is aware in the telling of it that there is a lot to swallow here, that the old bachelor Don Pasquale loves cats but is sadly allergic to them. Upon this artifice, which is unsupported by the libretto, hung quite a lot of the production. We saw in the unfolding comic-book story that Don Pasquale was having tests from a doctor to determine what it was that was causing him to be ill and that it turned out to be cats. Cats had to be eliminated from his life and these were then replaced by lots of artificial cats. The digital book was done with some panache though it is difficult to affirm the decision to have the text of the speech bubbles in Italian with no translation.

When the overture was finally over and the narrative thus established, the curtain finally went up to reveal André Barbe’s brilliant set design. Again there was something of the comic book about the set which took us to Pensione Pasquale – a small lodging house in Rome, sometime on the cusp of the swinging sixties. Vibrant colours dominated the stage and a magnificent painted backdrop showed the local buildings towering over the Pensione. Draped between the rooms that we could see and the sky above were yards of washing all out to dry in the sun on clothes lines.

And thus we found Don Pasquale consulting Dr Malatesta about his allergies and apparently being assured that there could be no cats for him. Around the old man himself were stuffed cats, china cats and plastic cats. Cats indeed, of every kind. All of this cat business was really leading to the best joke of the show – a brilliant visual gag at the final curtain which it would be unkind for the reviewer to reveal to anyone who might see the show. However, reflecting on it after seeing the show, one is struck by how odd this feline premise was. (more…)

cats, Don Pasquale, Scottish Opera

72 responses to “Baptism and the Churches”

Erika Baker

19/10/2013

Thanks Kelvin and all for the interesting discussion. As a member of the Episcopal Church in the US, I only ever used the Baptismal Covenant in an argument against the necessity of the proposed Anglican Covenant. For me, the Baptismal Covenant is an assent to the New Covenant of Jesus Christ, so I saw absolutely no need of another covenant. In fact, I don’t see the Baptismal Covenant as something different from the New Covenant.

With respect to whether Baptism or the Eucharist is a/the sacrament of initiation, wouldn’t the answer be both? In the early church, the person was baptized and received the Eucharist during the same service.

Also, I wonder if people from other Anglican churches are aware of the great diversity of views held by Episcopalians in the US. That all the orders of ministry should be open to all the baptized seems to me simply a matter of the justice and equality that all Christians should strive for as members of the Body of Christ.

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Erika Baker

19/10/2013

Sorry, I’m posting on Erika’s computer, but the comment above is by me, June Butler (aka Grandmère Mimi).

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Alan McManus

08/04/2014

It’s so refreshing to read a discussion where everyone’s listening and learning through that dialectical process. Here’s my tuppennyworth: the disparaging mention of magic by churchpeople always makes my hackles go up – mostly as our Christian legacy of persecution of wise healers as witches is still largely unacknowledged and certainly unatoned – but also because the RC in me hears this as a facile Protestant jibe against metaphysics (if you want my views on that buzzword look here: http://robertpirsig.org/Alchemy.htm ) and though Vat 2 officially u-turned on slavery (yay! who says the RC church can’t change, eventually) it didn’t move away from an essentially sacramental view of Christian ministry.
I feel that underlying this discussion may be a difference in sacramental theology. I hold the traditional view that through the creation, the incarnation and ongoing sanctification, the Spirit of God is at work metaphysically in the world and that means neither solely spiritually nor physically but betwixt and between. The RC church is just as guilty of virulent hatred of non-clerical women healers as others but the convivial nature of the relationship which sometimes occurs between Roman Catholic and ‘curandero’ (wise traditional healer) in Latin America is for me an affirmation of the ecological connections inherent in both cosmologies – though often forgotten in the RC church it must be said.
The part of the SEC liturgy I find most alienating is ‘Lord unite us in this sign’. This speaks to me of cognition not communion. In these words I feel the lack of belief in a metaphysical reality. I feel that this discussion may have brought up a similar divide in concept about baptism: is it or is it not efficacious?

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Review – Don Pasquale – Scottish Opera

72 responses to “Baptism and the Churches”

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