I have just issued the following statement:
“I am delighted to hear that the Anglican Church in Brazil has just changed its marriage canon to allow same-sex couples to get married. As we have rejoiced in St Mary’s Cathedral Glasgow in recent months with couples who have waited years to be married in church, so we rejoice with couples doing the same thing in Brazil.
“All God’s children are equally beloved. We rejoice as greater equality comes to another part of the Anglican Communion”
I note your reference to “in straight lines ” when you were at Bearsden PS.
Were you not taught about tautologies in these former days, when education would have been more content based than you would have found on your recent visit?
Er, yes I was and no, it isn’t.
Ah yes, the staffroom etiquette. I’ve done the cup thing, the chair thing, and, possibly worst faux-pas of all, the crossword thing in my time. Nowadays there are no staff rooms, just bases, a whole new minefield of unwelcoming stares.
Sorry to hear about the torrid time in P7 you had with the belting teacher…as a teacher myself, I’m not in favour of such tactics. I find a cold silent stare always used to work better than any cane or belt…such activities should be reserved for consenting adults only ;-/
Thanks Jaye.
The same teacher spent a quarter of each day on religious instruction and was, as I said, quite mad.
One one occasion I was belted for humming. On another, simply, I suspect for being me.
There are probably those reading this who have some sympathy with her.
We’ve been clearing some old documents out of the dank crypt this week and one or two interesting things have emerged. Not least a couple of photographs from 1962. We forget now that we photograph anything and everything all the time that in previous decades a photo was relatively rare. This one was taken at…
This review also appears on the Opera Britannia website Rating: Taking Alban Berg’s Lulu as a starting point, Scottish Opera at the Edinburgh International Festival present American Lulu – a new re-envisioned interpretation of this piece by Austrian composer Olga Neuwirth, who re-orchestrates Berg’s original, attempts to set it within the context of the Civil Rights movement in America and provides a conclusion to compensate…
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