What is in Kelvin's Head?

  • What am I listening to?

    Oh, thank you for asking.

    Well, the days of listening to CDs seem to be long over, don’t they? I’ve not ditched all the CDs like Chris Pinnock has, but wonder how long I’ll go on with a cupboard full of little boxes.

    • Firstly and most splendidly there’s the Gyndebourne summer online opera festival. Oh yes, you can watch and listen to half a dozen or so glorious Glyndebourne productions. Like all opera should be, they are free at the point of delivery.
    • I briefly got sucked into the gay-country-pap of Steve Grand’s All American Boy the other day until I realised it was just like most representations of gay people in America – doomed to end in tears. (Cheyenne Jackson’s Don’t Wanna Know made me laugh, but it is more of the same – all American gay boys don’t get happy endings to their stories much in America).
    • Then something I saw somewhere reminded me of Alan Price’s O Lucky Man so I had a good listen to that.
    • I also came across Tom Gilfellon’s album In the Middle of the Tune on Spotify – something I’ve not heard since I ditched vinyl – here’s the first track The Banks of Red Roses.
    • Whilst I was getting stuff ready for Pride the other week, I needed some music to cheer me on my way so listened to Holly Near and sang along with Singing for our Lives.
    • Christy Moore’s Before the Deluge doesn’t get tired, does it?
    • Neither does Martin Simpson’s Prodigal Son album.
    • And did you know you can hear Frank Weir’s monumental 20th Century Folk Mass on spotify?  It is really a big band mass, but there you do.

    Spotify tried to get me to listen to Val Doonican the other day. I’m not letting on as to whether I did or not though.

     

7 responses to “The Antisemitism Notice”

  1. Gordon Avatar
    Gordon

    Helpful, thank you

    What is the concern with the reproaches? I’m not familiar with them

    Reply
    1. Kelvin Avatar
      Kelvin

      They can be interpreted as being directed at us the listeners. But they can also be interpreted as speaking to Jewish people as all the imagery is from the Hebrew Scriptures and doesn’t reference the experience of those who actually were around Jesus during his life on earth.

      For example:
      “I led you out of Egypt, having drowned Pharaoh in the Red Sea:
      and you have delivered me to the chief priests.”

      Who is being addressed here?

      Reply
      1. Nick Drew Avatar
        Nick Drew

        That’s interesting, because whenever I have sung the Reproaches I have always felt them as being expressions of personal repentance rather than accusations thrown at the listener.

        Reply
  2. Rosemary Hannah Avatar
    Rosemary Hannah

    I must admit I had always read the Reproaches as directed to the listener. That the Egypt from which we are delivered is the Egypt of the modern world, the slavery of ghastly jobs (I’ve had a few, in fact a lot) and the oppression of terrible political systems. But I come from a totally different thought world to that of most people today, and I absolutely see they wouldn’t commonly be read that way.
    But I think it would benefit everyone to find a way of expressing BOTH what faith can offer in terms of freedom AND the mess we do make of the world, and sitting with that tension.
    And I think the church as a whole urgently needs to find a compelling and deep reaching way of doing both.

    Reply
    1. Kelvin Avatar
      Kelvin

      You might be interested that we’re looking at Isaiah 59 as a helpful text for this year, given the current ways of the world.

      Reply
    2. Christine McIntosh Avatar
      Christine McIntosh

      I’m of much the same mind. (A mind that is still blown away when I hear them sung)

      Reply
  3. Dan Floyd Avatar
    Dan Floyd

    Thank you

    Reply

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