• Bathsheba, our Sister

    Here’s the sermon I preached on Bathsheba on 27 June 2015

    Sermon preached by Kelvin Holdsworth on 26 July 2015

    It so happens that later today I’m going to be on the television in a short slot on Songs of Praise. Blink and you’ll miss me – it won’t be long.

    From time to time I get the chance to be on both television and radio. And I’ve learned to treat them very differently and prepare what I have to say to suit the medium.

    Generally speaking, I really like doing radio work because, as people often say, the pictures on the radio are far better.

    Its true. Radio is about painting pictures and television is about telling stories.

    And I think Radio and Preaching are very similar, which is why my preaching is very visual. My aim is to get you to see things in your head as I’m speaking.

    And so I find today my own gaze turning over to my left as I look amongst the high windows of the church for one of the protagonists of the Old Testament story which is what I’m going to preach about today.

    For every day, he catches my gaze when I’m over there saying morning prayer and you can’t see him from where you are, so this is going to be like radio with me describing him.

    As I recite the psalms at Morning Prayer, as often as not, I’m looking up at him. David in Stained Glass. High and mighty. Bearded and wise. Colourful. Powerful. Present.

    He’s a familiarly figure to me. As I recite God’s praises using words that he himself wrote, I have him directly in view, God bless him.

    King. Poet. Warrior. And downright naughty but do utterly beloved rogue.

    He’s a complex character. Though peaceful in stained glass. He is portrayed playing the lyre he made music with as a younger man in order to calm King Saul’s insane rages.

    He concentrates on his lyre. Making music. As I look at him I wonder who he makes music for now. For Saul? For Michal his first love. For Jonathan his great love? For Bathsheba his great…. Well, what was it? Was it love? I’m not so sure.

    And as he makes his music up there in stained glass I fancy him hearing us reciting his psalms down below.

    As I gaze up and him, I imagine him gazing down at me.

    But as I look in his direction, I see him dropping the lyre and transported. Transported out of the stained glass and standing on a balcony on a rooftop.

    And he’s not looking down at me, he’s looking down at someone else entirely. Yes. Bathsheba on her own roof taking what she suspects is a private bath.

    And we’ll leave him there for a moment. Gazing. Desiring. Lusting after another man’s wife.

    And we’ll think about her.

    It suddenly occurred to me on Friday that though I’m relatively used to seeing David depicted in stained glass, it is at least interesting that we don’t have a corresponding picture of her. She’s a significant figure in her own right in the events that were to follow today’s story.

    Is it, I wondered, that we are prepared to forgive him in our collective memory and put him in stained glass simply because he is a man. She, the floosy, not so much.

    I’m not sure.

    Anyway, on Friday morning, I decided to take a look around the known world for Bathsheba and see if I could work out what she looked like. Now, google has an image search these days. You put in a search term and instead of giving you links, it gives you pictures.

    So, into the search box, I typed Bathsheba’s name and pressed the button and immediately was taken aback by what I saw.

    Immediately, I encountered the flesh.

    Picture after picture of a rather voluptuous figure.

    Breasts bare. Rising from baths, fountains, bathing ponds.

    Curiously, she seemed rather pale and western looking. I fancy that her peely wally skin wouldn’t survive terribly long on the beach at Saltcoats, never mind on the rooftops of Jerusalem.

    But the overwhelming impression was the sheer amount of bare flesh.

    And somewhere in most of the pictures, King David casting a sly eye over what was on offer to him in the heat of the day.

    My mind boggled at the ogling. It was as though google had suddenly become booble.

    And I realised in an instant that we are very used to reading the story of Bathsheba from King David’s point of view.

    We are used to reading the story of Bathsheba from King Patriarchy’s point of view. Where women are to be goggled at and ogled at. And owned and taken and possessed.

    As I looked at all these medieval manuscripts and more recent paintings containing all these naked Bathshebas I realised that I was seeing transmission of the male gaze through time.

    So many monks in scriptoriums painting saucy Bathsheba in the margins and passing the books down from one to another through the ages. What fantasies she must have conjured up just from reading the story.

    And remember we had a story a couple of weeks ago of David leaping about in the dance and losing his clothes. But guess what, there are far more bare Bathshebas in the manuscripts and far, far fewer naked Davids.

    Women and men are not equal in our tradition.

    And once you see such inequality you can start to make the tradition change. (Because that’s what traditions do – they change surprisingly often when people want them to).

    I’ve often said that that by a long way, the greatest change that the Scottish Episcopal Church has made in relation to marriage was to produce a liturgy a few years ago where the two participants were equals. A man and a woman getting married in our modern tradition are married as equals and it is a huge lurch away not only from biblical tradition and Victorian traditions of human relationships with which I sometimes think we are obsessed.

    This morning’s gospel was the story of the feeding of the five thousand. Well, I think it was the story of the feeding of the five thousand and one. Or five thousand and two. Or five thousand and three.

    For what it is trying to tell us is that there is always room for another at the picnic.

    (And that’s a metaphor for heaven by the way).

    As we re-read the stories of old, we need to read them from different perspectives and I want you to try to read the story from Bathsheba’s point of view this morning.

    Manipulated by a powerful man who then murdered her husband in order to take control of her. And then ogled through the ages by churchmen who should have known better.

    We must listen to her, for women are trafficked seemingly more and more. Too many are treated as things rather than people because they don’t measure up to the false expectations of patriarchy. Those with power in their hands still refuse to help us build a world based on fairness and human dignity for everyone.

    So, I invite you to think again about Bathsheba. Let her prompt your prayers this week. There’s room for her at the heavenly picnic. And it is time her experience is listened to.

    And in case you were wondering, there’s room for you too.

    Amen.

11 responses to “Evensong (with Dragons)”

  1. Cal Avatar
    Cal

    I always remember being told that the final “smoke” in the Stainer is meant to be the loudest note in Anglican choral music. I have no idea how that can possibly be qualified, and of course there are so many variables, but I still like to believe it’s true.

    1. kelvin Avatar

      Thanks Duncan – http://www.kjv-only.com/unicorn.html has a list of them for those interested.

      Cal – was thinking about you just the other day. I bet you’d know how to do deploy glitter canons for Corpus Christi.

  2. duncan Avatar
    duncan

    I love the fact that the unicorn appears in the KJV bible about ten times. Who said scripture doesn’t contain mythic elements!

  3. Cal Avatar
    Cal

    Fluttter ‘fetti has long been overlooked in the liturgy, I feel. I suspect you’d have to bribe your servers to sweep it up though – least favourite job.

  4. Martin Ritchie Avatar
    Martin Ritchie

    The loudness of “smoke” probably depends on the choir singing it! I bet St Mary’s give it a good thump! 😉

    On the subject of dragons…….we have some stylised ones hidden away in our Daniel Cottier stained glass at Pilrig St Paul’s in Edinburgh. I didn’t notice them for over three years despite having spent ages taking photographs of the windows. Cunningly hidden as I’m sure all dragons are!

    1. kelvin Avatar

      The smoke was certainly wonderfully loud last night.

      I see that Freda has new dragons, though they don’t seem particularly well hidden.

      Cal – I hope very much that the skills that you are currently building up are at some time and in some place offered unto the Lord in the facilitation of the most holy, most glorious and most magnificent liturgy.

      [Lesson learned from typing this comment – do not muddle up dragons and dragoons]

  5. Brother David Avatar
    Brother David

    [May] the Holy and Blessed Trinity to protect us from religion that is dull or humorless.

    AMEN!

  6. Rosemary Hannah Avatar
    Rosemary Hannah

    Now Kelvin, you must have read my story of St Michael, and you know, perfectly well, that actually the great archangel is dragon-formed. THe horrid prodder with the lance is actually Lucifer.

  7. ryan Avatar
    ryan

    Sounds fabulous. Impressed that you weren’t tempted to rename it EvenDrag!

  8. Agatha Avatar
    Agatha

    What if your Dyson isn’t in D? Mine is probably more A below middle C.

    I also like the idea of you all singing (a la The Clash) “I saw the Lord and the Lord won”.

  9. PamB Avatar
    PamB

    @Cal – I heard that too, but got pooh-poohed when I remarked upon it. Glad to hear I’m not alone.
    @Martin – St Mary’s choir do not thump. Lean upon, emphasise, give weight to, but never thump. Nor, for the psalmody aficionados out there, do they gabble.

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