What is in Kelvin's Head?

Opera Review – Macbeth – Scottish Opera

26/03/2014

Here’s my review of Scottish Opera’s latest production, as posted at Opera Britannia. The exclamation marks are obviously not my own and have been added by an editor.
Rating:

Scottish Opera’s revival of Dominic Hill’s production of Verdi’s Macbeth is something of a mixed bag that is saved by several confident performances, most notably that of Elisabeth Meister as Lady Macbeth. Before we think about the singing though, we must discuss the curtain. By understanding the curtain, we can understand the whole of this production!

Scottish Opera is currently out of its usual Theatre Royal base in Glasgow whilst that theatre has major improvement work undertaken. This show took us across the river to the Citizens Theatre where simply due to the relative sizes of the buildings, any show is going to seem much smaller and more intimate. Now, the Theatre Royal has pretentions to the grand whilst the Citzens wears its faded grandeur with pride. And walking into the theatre we find that someone has unravelled a piece of string across the stage and hung a grime-laden piece of cloth inelegantly across the stage. The cloth itself looks as though it has been dragged around every venue in Scotland. It looks so grubby and untidy that one wonders whether someone has dragged it through Birnam Wood itself. The string sags in the middle and the curtain droops. It is a metaphor for what we will see unfold from a company that one fears has itself got a case of the droop.

For this production has indeed been all around Scotland and on the first night of this revival it was already feeling a little tired. It transpires that the production is a revival not of a main stage show but of a much pared down Macbeth, which was part of Scottish Opera’s commitment to tour opera to small and often unlikely venues in 2005 with a small band of seven singers and only a piano for accompaniment. In this revival the piano is gone, to be replaced by a small orchestra of just 18 players (a larger band is due in Edinburgh) making it difficult to decide whether we are seeing something that is essentially a big show cut to the bone or an already emasculated production being beefed up.

The curtain barely covers the set which itself only covers the lower half of the stage, the back walls clearly visible beyond. The set itself, such as it is, doesn’t do much to distinguish one place from another. It is a grungy, dirty interior – somewhere in a war zone. This is to be a production of Verdi’s version of the Scottish Play in Scotland by Scottish Opera that makes no reference to Scotland.

So…….on to the singing. (more…)

Elisabeth Meister, Macbeth, review, Scottish Opera

7 responses to “Whither the Kirk?”

Pausing Place

25/08/2010

I missed last night’s programme, but I thought your comments were interesting.

In a sense, perhaps it’s unsurprising if the SEC is inwardly more positive about itself than the CofS. My take is that in the recent past, at least, the SEC started from a lower common denominator, not being the “local” church in the same way as the Kirk, and so it doesn’t have to contend with others saying of it “look how the mighty have fallen” in quite the same way.

As to the health of the Kirk (and the SEC for that matter), I think we need to reflect on our self-perception and to consider carefully the points and places in which a dying church (congregation or denomination) should be allowed to die gracefully, and the ways in which we might see new life emerge from the rubble.

As a young(ish!), relatively new Christian I have seen examples of (both urban and rural) SEC and Kirk congregations where there are few signs of new growth, little to draw in younger (under 50 year olds, to pick a random-ish number) new folk, and much to sustain negative preconceptions of church as boring, irrelevant and so forth.

We as a faith community need to get much better at stepping up to the mark in our creativity and engagement with our society. The sad truth is that most young adults do not know and have not heard about Jesus Christ, and unless we engage with them in ways culturally relevant to them, and which do not presuppose previous knowledge (too often taken for granted) they never will.

It troubles me, but I do think it’s true to say that in the SEC and in the Kirk we have a church sustained by the traditions and cultural reference points taught to a previous generation. Culture has shifted radically, with the result that the same will not be able to be said in 20 years time.

Our challenge is clear. Whether the Kirk and the SEC can step up to the mark to address what it means to live out the Great Commission in the 21st century is less so.

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Cal

25/08/2010

I didn’t really understand who this programme was aimed at, or even what its aim was.

Yes, numbers have fallen, but perhaps the small number of people who remain are there because they actually want to be, not because it’s the done thing on a Sunday morning.

And personally, I rather like the idea of a church “sustained by traditions”. Clearly the church has to be relevant to modern society, but in abandoning the traditions of worship then you lose the centre of why the church exists in the first place.

There was something very Presbyterian about the programme with its “we’re doomed” mentality. I find the SEC generally more positive in outlook.

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John

25/08/2010

The only book the presenter seemed to have used in his research was ‘The Death of Christian Britain: Understanding Secularisation 1800-2000’ By Callum G Brown – indeed Callum Brown was one of the speakers. The thesis of this well argued sociological study is that “quite suddenly in 1963 something very profound ruptured the character of the nation and its people sending organised Christianity on a downward spiral to the margins of social significanceâ€. That something he identifies as new media, new gender roles and a moral revolution which has dramatically ended peopleâ€™s conception that they lived Christian lives.â€ It could be said to have happened as â€œsex beganâ€ between the end of the Chatterly ban and the Beatles first LP as the poet Philip Larkin so famously put it.”
To balance this statistical decline the programme flagged up some of the “church without walls ” iniatives in a lame sort of way. All in all a most unsatisfactory programme that only told half the story.

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Kenny

25/08/2010

Good crit Kelvin. My reflection at the end of the programme was, “Lord, we visited this stuff over 30 years ago, and have come out of it stronger and better Church in the SEC.” Hopefully, we stopped longing for ‘the good old days’ a long time ago!

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MartinRitchie

26/08/2010

I thinking “Pausing Place” makes a good point about needing to creatively engage with society. From my own experience of working with a CofS congregation, this creative engagement is a weak spot for many.

As a counterpoint to the programme, interesting to note in the latest “Life and Work” a very positive article about a growing CofS congregation in Stornoway – and I mean really growing! So not all doom and gloom, and I’m sure there are many more examples of bright spots, just as there are in the SEC!

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Graham Vahey

28/08/2010

If the C of S disappeared completely we would be at a loss. During the dark and bleak years of Thatcher’s reign she refused to visit Scotland for 5 years. When she did she expressed shock that we had Royal Regalia and ordered it to be removed immediately for safe-keeping to England. Her ‘Sermon on the Mound’ is now historical for its condescension to the Scots. She was none too pleased to be handed two reports on poverty in Scotland by the powerful Church and Nation Committee. Indeed, it was to this Committee that the population turned to for a moral lead during Thatcherism. When James VI (‘Jamie the Saxt’) became James I in England, the population turned to senior Scottish earls for a moral lead. Unfortunately, the Piskie Church does not give a moral lead in Scotland, apart from the work of the Scottish Constitutional Convention in the recent past. The RC Church does pronounce on moral issues. Could it not be conceivable that all the major Churches could unite in a Committee to pronounce for Scotland on moral issues as the Church & Nation Committee once did?

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Aldous N. Gaiters

01/09/2010

Speaking as a Nonjuror myself I am sure the SEC has a right to a moral voice in Scotland. Taking the US daughter church of the SEC as a model you could see where the fissures would appear. There is room for a modern liberal Christian voice, but even I an old Liberal myself, would have to fear that such a voice might appeal to only a select few.

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