What is in Kelvin's Head?

  • Sermon preached on 4 August 2013

    I used to work in a church with murals. Well one mural. It wasn’t this church and it wasn’t these glorious murals. It was somewhere else entirely.

    (By which I mean Edinburgh).

    Throughout the late fifties, the sixties and early seventies, a sustained period of liturgical reform had happened. The altar had been pulled away from the wall. The priest now faced the people. The peace was shared and communion started to happen every Sunday. Those of you who have been around for a bit might remember that story from all kinds of contexts. Those who are new to Episcopal worship might be surprised to learn that how we do things is not in fact as old as the hills at all.

    Anyway, these liturgical reforms in this church had left a big space to fill. Somewhere along the way, the East Window had been bricked up and whitewashed over and now there was a giant wall to fill.

    And, of course, just as we can be sure that someone was heartily trying to encourage the congregation to sing Kum By Yah. so, inevitably, someone got to paint a mural.

    Unlike Gwyneth Leech’s paintings, which surround me here in this church. this was a rather less successful piece. (more…)

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2 responses to “E and B”

  1. Martin Ritchie Avatar
    Martin Ritchie

    One of the interesting things about choral evensong is that in some places it can seem like a living tradition that can speak to anyone, whereas in others it can appear to be dry as dust, pompous and irrelevant. What do you think the “method” is that produces a living choral evensong as opposed to an antiquarian one?

    Reply
  2. kelvin Avatar
    kelvin

    That’s a good question, Martin and I agree, it can be miserable.

    I think that worship tends to take off when those planning it and organising and leading it care more about what we are doing when we worship than in the form in which we worship.

    I suspect that Choral Evensong is not best led by liturgical, musical or prayer book fundamentalists or by those who happen to find this a way of encountering the holy.

    A culture of offering the best we can be to God helps. Good relationships between musicians and clergy help. As usual, clear liturgical books in the hands of the faithful help. And whoever is leading needs not to be frightened of a bit of silence now and then amidst the music.

    Reply

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