• Sermon – Pigs Might Fly

    Here’s the sermon that I preached on Sunday morning.
    (The video is also available on the Cathedral website).

    Because of the peculiarities of the clergy rota and the fact that we’ve had one or two special things going on like baptisms and hosting visiting preachers, it feels like a long time since I’ve been in the pulpit preaching. Indeed, I think it is about eight weeks since I stood here.

    Whenever I have a break like that from preaching and I sit down to write something new I tend to find my mind goes all blank. This game is actually easier if you play it every week.

    And as I sat this week, my mind went back to one of the people who taught me how to preach. He was someone who used to go around listening to students preach most Sundays and could tend towards the caustic in what he had to say about them. “Ah,” he used to say, “the traditional Scots sermon – three points, a poem and a death bed scene”.

    I don’t have a deathbed scene but let’s take three points – which today will be three ways of reading the story. Firstly looking at it at face value, then looking at it as an allegory and finally looking at it existentially.

    But let’s start with a poem. (more…)

2 responses to “E and B”

  1. Martin Ritchie Avatar
    Martin Ritchie

    One of the interesting things about choral evensong is that in some places it can seem like a living tradition that can speak to anyone, whereas in others it can appear to be dry as dust, pompous and irrelevant. What do you think the “method” is that produces a living choral evensong as opposed to an antiquarian one?

  2. kelvin Avatar

    That’s a good question, Martin and I agree, it can be miserable.

    I think that worship tends to take off when those planning it and organising and leading it care more about what we are doing when we worship than in the form in which we worship.

    I suspect that Choral Evensong is not best led by liturgical, musical or prayer book fundamentalists or by those who happen to find this a way of encountering the holy.

    A culture of offering the best we can be to God helps. Good relationships between musicians and clergy help. As usual, clear liturgical books in the hands of the faithful help. And whoever is leading needs not to be frightened of a bit of silence now and then amidst the music.

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