- Following recent revelations, this will be the year that former Archbishop of Canterbury George Carey finally shuts up. Expect no silly press releases on the eve of Church of England Synod. (From Carey anyway).
- The Columba Declaration recently leaked to the press will not in fact be adopted unamended by both the Church of Scotland General Assembly in May and by the Church of England General Synod in February.
- Solid vote in favour of first reading of legislation for removal of definition of marriage from the canons of the Scottish Episcopal Church opening the way towards a final vote in 2017.
- The Anglican Communion will move back towards being a fellowship of autonomous churches following the Primates’ Conference in January. Justin Welby will do the right thing for the wrong reasons. (ie he will accept the inevitable loosening of ties that stems from the global domination fantasies of his predecessors but not speak up for LGBT friendly churches).
- The SNP will win a landslide in the Holyrood Election. There will be UKIP representation in Holyrood for the first time.
- The SNP will continue to work for their preferred outcome in the European Union referendum – an overall majority in the UK in favour of staying in, a massive majority in Scotland for staying in and a majority in England for leaving the EU.
- The Democrats will retain the White House.
- Jeremy Corbyn will still be Labour Party leader by the end of 2016 and become a little more popular within the Labour Party the longer he is there. The Labour Party will still seem unelectable at the end of the year. No major defections along the way. (There’s nowhere to go).
- A successful cyber terrorist attack on a major Western financial institution. (It is only a matter of time).
- Amateur drone crash causing loss of life.
- 3D printed food experiments in restaurants.
- More major news outlets closing down the comments sections on their websites as open comments become unmanagable.
9 responses to “The Lament Question”
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ask it in the singular, and the answer is: because you’re a four.
you’ll have me playing the funeral ikos next.
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the other answer is about possibility being revealed in limits.
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Its not just me though, and not just fours.
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I think because sorrow touches the core of the human condition – we are mortal but can perceive immortality. “He has made everything suitable for its time; moreover he has put a sense of past and future into their minds, yet they cannot find out what God has done from the beginning to the end.” (Eccl. 3:11)
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I understand Aristotle talks about catharsis and various philosophers have followed up on that idea.
Perhaps it arouses sadness both from the art itself but also from our own sources festering within and allows us to let go. We feel better for the letting go, the lessening of our own internal sadness, and so perceive the art as beautiful.
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Kimberly was there before me. However, even I, a nine, can sometimes see the beauty in sad things. For me they do two things (may be more but two are most obvious). The first is the catharsis thing. The second is to make me less lonely. Look, here am I weeping, but all around me people sit in the same sorrow. It is not just my sorrow – I am not alone.
I have long thought there is another answer, one I do not properly understand but I have (I think – and who am I to think it). Deep in God there is a huge well of sorrow. Unless we experience sorrow we cannot understand God. When we sorrow we tap into that well, and become closer to him.
And being a nice cheerful nine, I will now add that I live in hope that having sorrowed with him, we will share also and even more fully in the joy which swallows the sorrow. Delete this last paragraph from your mind on reading, it will only spoil the joy of the sorrow.
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Edgar Allan Poe said the most beautiful thing in the world is a beautiful, dead woman. Nice, eh?
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Surely it’s because the concept of beauty is independent from concepts such as ‘sadness’ and ‘happiness’ – just as a G major chord might be loud or soft, but that volume has no effect on its G major-ness.
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I remember Augustine saying (don’t ask me where) that for a picture to be beautiful it requires dark colours as well as bright.
There is also a hint of an answer in this poem by Edwin Muir:
Yet still from Eden springs the root
As clean as on the starting day.
Time takes the foliage and the fruit
And burns the archetypal leaf
To shapes of terror and of grief
Scattered along the winter way.
But famished field and blackened tree
Bear flowers in Eden never known.Blossoms of grief and charity
Bloom in these darkened fields alone.
What had Eden ever to say
Of hope and faith and pity and love
Until was buried all its day
And memory found its treasure trove?
Strange blessings never in Paradise
Fall from these beclouded skies.
Previous Posts
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All the Livelong Day
Very commonly, people find it hard to get a handle on how St Mary’s hangs together and I suspect it is because of days like today. No-one gets to see everything that is going on. The organisation of it all is a series of interlocking systems which, by some miracle, mostly work well together. I…
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Consultation on Civil Partnerships and Same-Sex Marriage
This week the Scottish Government’s consultation on civil partnerships and same-sex marriage comes to a close. The Scottish Episcopal Church’s response has been prepared by the Faith and Order Board which Bishop Gregor convenes and that will be published some time in the next few days. It would be surprising if that formal response contained…
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Pestilence, Famine, War and Death
When I was speaking about the Four Horsemen of the Apocalypse in the pulpit on Sunday it was with some hope that they might be regarded as merely allegorical figures. Alas, now I have heard the news that Harry Ramsden’s is to close. Not the johnny-come-lately chain that bears the name, but the real thing,…
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Eclectic
Last weekend was one of those minor extravaganzas that happen at St Mary’s that one should never quite get used to. On the Saturday afternoon we had an extra Evensong which the assistant organist Geoff Woollatt brought together. A bunch of people who’ve never sung together before appeared under the label – The St Mary’s…
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