• All Souls

    All Souls Day is a rehearsal for my own funeral.

    I realised this a few years ago when someone commented that the All Souls Requiem at St Mary’s seemed to be a particularly important time of the year and was appealing to more people than it used to. When I sat and thought about it, I realised that what I was doing each year in preparing for it was preparing for my own funeral and that at some level, part of what gives me life and energy at St Mary’s is building a community that would know exactly what to do if I dropped down dead.

    Some people might think that rather morbid but it isn’t. I don’t think that much about death. Keeping All Souls is actually a way of helping ourselves let the dead be dead without fixating constantly about them. After last night’s Requiem for All Souls it simply felt to me that all was as it should be. Those whom we care for had been commended to God’s love, we had prayed alongside one another in our remembering and we had done so in the most beautiful way we could do.

    There are many things about All Souls which touch me. One is the use of the Eucharistic prayer for Easter. That’s what we do whenever there’s a funeral that is a Eucharist too. When someone dies there’s a snatch of Easter Day about the proceedings. In the first light of Easter, glory broke from the tomb, after all.

    Last night’s requiem was sublime. The simple tunes of Rutter’s Requiem taking us on a pastoral journey. We saw that death is real. We saw that grief is raw. And we knew that God is love. The music was incredible – the choir literally singing to raise the dead.

    At least, that’s how it was for me.

    The double Feast of All Saints and All Souls is one that always takes my mind abroad too. I was in Sweden for it one year, the year before I was ordained. My memory is of people going to the graveyards and lighting candles on the graves. A little of the first snow of winter had fallen and there was mist swirling around the graveyard trees as people wandered the quiet pathways thinking about those who had died.

    I remember someone telling me that they always lit candles for their parents and then crossed the graveyard to light another one on the grave of Dag Hammarskjöld – All Saints and All Souls always mingle.

    And then three years ago I was in America at this time of year.

    It seems to me that Hallowe’en has suffered rather at lot in its return trip back across the Atlantic to these shores. It seems now to be an excuse for very poor fancy dress bought from cheap outfitters by people who want to get drunk looking like a pirate or Wonderwoman.

    Rather more interesting in the US these days is the set of traditions that the Latino people bring to this time of year. Some of the solemnity that northern Europeans cultivate when thinking about the dead is challenged by those who want to celebrate their dead with an enormous party.

    This is what this time of year looks like in one of the churches that I visited during my sabbatical – All Saints’ Church in Chicago – a place which knows how to party.

    All Saints Chicago

    In the midst of life we are in death.

    And vice versa.

4 responses to “Sunday's Lament”

  1. chris Avatar

    As I read that lament on Sunday, I was singing inside my head the wonderful Tomkins’ setting of the lament. As an alto, I could be accused of bias – the suspensions between the two alto parts are hair-raising in their beauty – but to me nothing can match it. You can hear it here

  2. RosemaryHannah Avatar
    RosemaryHannah

    Oh dear me, yes. Let’s all wear pink and have a celebration.

    Your video camera however does not let one get anything like the quality of the voice in space experience of last Sunday. And I write as one not musical.

  3. RosemaryHannah Avatar
    RosemaryHannah

    I think, too, it always would work best for a single male voice, because it is so heavily tied to a single male figure. It is superb writing, superbly put to music.

    I don’t want to ‘dis’ your only-too-correct comments on the space between our understanding and that of the Iron age. But I think that two things may offer a little light on how and why we read the succession narrative.

    The first is that it is an outstanding piece of writing by any standards at all. The terrible attempt by the lectionary to cut it on Sunday just pointed that up (not the first time I’ve wondered what the editors of it thought they were doing). Good story has its own power.

    Secondly, one has to ask who commissioned this account and why. I think the answer has to be Solomon’s court, as ’twere – thus not only does one have to explain why Solomon succeeded one also has to paint a very flawed but still in some ways great David. A man one might be glad to have as a father, and a man who it would be possible to offer a better alternative to. The last King, if a relative, should neither be too good or too bad. QED.

  4. revruth Avatar

    Oh my word! Why have I never heard this before? It is glorious and I am in love with it. There is absolutely nothing like a good lament. Dido’s Lament had better look out.

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