What is in Kelvin's Head?

  • A simple question about Civil Partnerships

    Next week at General Synod we have the following motion being presented.
    Motion 24:
    That this Synod instruct the Faith and Order Board to instruct the Committee on Canons to prepare canonical material to enable the registration of Civil Partnerships to be undertaken in the Scottish Episcopal Church, so that a first reading of such canonical material can be considered by General Synod 2016.

    Now, the Scottish Government has indicated very clearly that it is going to consult on whether to open Civil Partnerships to straight couples.
    Can anyone tell me whether or not, if we agree to this motion at General Synod we will also be agreeing to the preparation of Canonical material which could potentially open the way to straight couples being able to register Civil Partnerships in church?

    I may have more questions and comments about this in due course. First of all though, I want to know more about this. Is the intention that this could lead to religious Civil Partnership for straight couples becoming a possibility in Scottish Episcopal Churches or not? More generally speaking, what would be the implications of passing this motion?
    Comments please.

    ,

4 responses to “Sunday's Lament”

  1. chris Avatar
    chris

    As I read that lament on Sunday, I was singing inside my head the wonderful Tomkins’ setting of the lament. As an alto, I could be accused of bias – the suspensions between the two alto parts are hair-raising in their beauty – but to me nothing can match it. You can hear it here

    Reply
  2. RosemaryHannah Avatar
    RosemaryHannah

    Oh dear me, yes. Let’s all wear pink and have a celebration.

    Your video camera however does not let one get anything like the quality of the voice in space experience of last Sunday. And I write as one not musical.

    Reply
  3. RosemaryHannah Avatar
    RosemaryHannah

    I think, too, it always would work best for a single male voice, because it is so heavily tied to a single male figure. It is superb writing, superbly put to music.

    I don’t want to ‘dis’ your only-too-correct comments on the space between our understanding and that of the Iron age. But I think that two things may offer a little light on how and why we read the succession narrative.

    The first is that it is an outstanding piece of writing by any standards at all. The terrible attempt by the lectionary to cut it on Sunday just pointed that up (not the first time I’ve wondered what the editors of it thought they were doing). Good story has its own power.

    Secondly, one has to ask who commissioned this account and why. I think the answer has to be Solomon’s court, as ’twere – thus not only does one have to explain why Solomon succeeded one also has to paint a very flawed but still in some ways great David. A man one might be glad to have as a father, and a man who it would be possible to offer a better alternative to. The last King, if a relative, should neither be too good or too bad. QED.

    Reply
  4. revruth Avatar
    revruth

    Oh my word! Why have I never heard this before? It is glorious and I am in love with it. There is absolutely nothing like a good lament. Dido’s Lament had better look out.

    Reply

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