• The Friends of St Eucalyptus

    Some years ago now, I introduced readers of this blog to the twin churches of St Eucalyptus on the Rocks and St Anaglypta by the Skerry. They were dreamt up by me in order to illustrate a point. I was trying to get people to think about whether bread and wine could be consecrated by a priest who couldn’t be in two places at once but who could connect them virtually in some way. This was a long time before the pandemic made those questions pertinent to far more people than had bothered to think about them previously.

    From time to time I’ve revisited these two churches to turn over ideas relating to the ways in which doing things digitally can disrupt (or enhance, depending our perspective) the things that Christians do.

    So, it was natural that when I was testing out an AI image generator recently I decided to give it the task of showing me what St Eucalyptus by the Rocks actually looks like. I gave it a very simple instruction and it came up with quite an impressive image.

    I published this image on Facebook along with a comment suggesting that this is one of my favourite Scottish Episcopal Churches.

    The reaction was swift and interesting. Some people immediately knew that this was an artificially generated image and made comments which suggested that they knew what was going on. Others didn’t recognise it as being artificial though and I was quickly inundated with people asking me where the church is in order that they could visit it.

    I told people that the church was close to St Angalypta’s, which you can just see in the distance in the picture and that one of them lay in the Diocese of Argyll and The Isles and the other lay in the Diocese of Moray, Ross and Caithness but that the dioceses could not agree on which was in which. This piece of nonsense might have given the game away to some people but others received this as being typical of the way that the church functions. A little detail seemed to confirm the reality of the picture that they saw before their eyes.

    The picture contains a very odd looking window that is set into the rocks almost at sea level and so I gave an explanation for this too, saying that it was there to give light into the cave where St Eúchlyphátius herself used to pray the Celtic rosary every day.

    Now, there is no such thing as the Celtic rosary. Nor is there any such saint as St Eúchlyphátius but somehow the faux Gaelic accents on her name made her seem to some to be even more the genuine article.

    Again I got responses from people – some in public online, some in private online and some offline. And it remained the case that some people saw this for what it was immediately and others wanted to head off north and west and find the exact spot from which the “photograph” had been taken. It would look great on Instagram after all. At least one American friend with an interest in all things Celtic wanted full details so they could visit on their next trip across the pond.

    On something of a roll, I decided to let ChatGPT write a history of the church and it responded with some glorious prose that could well have come out of a local history of a country church.

    In the picturesque highlands of Scotland, nestled amidst rolling hills and serene landscapes, stands the enchanting Church of St. Eucalyptus of the Rocks. This small Scottish Episcopal church holds a captivating history, deeply rooted in the spiritual traditions of the region.
    Legend has it that centuries ago, a hermit named St. Eucalyptus, a woman of great devotion and wisdom, sought solace and divine communion within the rugged beauty of the highland landscape. Drawn to the mystical energy emanating from a hidden cave, St. Eucalyptus made it her sacred sanctuary, devoting her life to prayer and contemplation.
    It was within this cave that St. Eucalyptus began a daily ritual of reciting the Celtic Rosary—a unique form of prayer that combined ancient Celtic spirituality with Christian devotion. The rhythmic repetition of prayers, accompanied by the natural sounds of the surrounding wilderness, created a spiritual harmony that resonated deeply with the saint’s soul.
    As word of St. Eucalyptus’ profound spirituality spread, pilgrims and seekers from far and wide journeyed to the highlands to witness the transformative power of her prayers. Inspired by her unwavering faith and the miracles attributed to her, a humble community of believers gradually formed around the cave.
    Recognizing the need for a more permanent place of worship, the community embarked on an ambitious project to build a church in honour of their beloved saint. They chose a spot near the cave, where the ancient rocks seemed to embrace the faithful with a sense of awe and wonder.
    Construction of the church commenced, using locally sourced stone and guided by the skilled hands of the villagers. With each stone meticulously laid, the church gradually took shape—a testament to the enduring faith and dedication of the community.
    The Church of St. Eucalyptus of the Rocks, with its simple yet elegant architecture, stands as a tribute to the saint’s legacy and the spiritual traditions she inspired. The interior exudes a sense of tranquillity, adorned with Celtic symbols and artwork that pay homage to the rich heritage of the highlands.
    Over the centuries, the church has become a spiritual haven for those seeking solace, guidance, and a connection to the divine. Pilgrims, locals, and visitors alike are drawn to the church’s serene ambiance and the spiritual presence that seems to linger in the air.
    Today, the Church of St. Eucalyptus of the Rocks continues to thrive as a place of worship and spiritual refuge. The Celtic Rosary, once recited by the saint in her secluded cave, is now embraced by the congregation as a cherished tradition, passed down through generations.
    The church’s small community holds dear the legacy of St. Eucalyptus and remains dedicated to preserving the traditions and spiritual practices that she embodied. The annual Feast of St. Eucalyptus is celebrated with great joy and reverence, drawing pilgrims from near and far to honour the saint and partake in the rich tapestry of highland spirituality.
    As the sun sets over the highland landscape, casting a golden glow on the Church of St. Eucalyptus of the Rocks, the prayers of the faithful mingle with the whispers of the wind—a testament to the enduring power of faith and the timeless presence of St. Eucalyptus, forever entwined with the sacred beauty of the Scottish highlands.

    Again, the more detailed fragments seemed to convince people all the more that they were looking at an actual church on the West coast of Scotland.

    Again I was asked for the exact location. I was asked for more details about St Eucalyptus, I was asked whether this was the closest church to the sea in Scotland and I’m convinced that if I’d been selling St Eucalyptus Celtic Rosaries online I’d be a richer man now than I was then.

    Now, all of this might make us think a bit. Is the Church of St Eucaluptus real or isn’t it? Since I conjured it up in my imagination over a decade ago, many have thought about its congregation. The details of the saint’s life are at least as much connected to reality as some of the stories about Scottish saints who actually are in the calendar of the church. Is the story of St Eucalyptus telling her beads and saying her prayers in the cave more or less true than the stories of St Gilbert of Caithness slaying a dragon or St Mungo raising a dead robin to life?

    In a religion based on someone who claimed that he was the way the truth and the life, it is worth pausing from time to time and asking what we mean by truth. Is it simply the dull reality of that for which we have proof? Do angels still surround the blessèd. Do demons still stalk the unwary? Does the devil still goeth about prowling like a lion seeking whom he may devour?

    Religion has an interesting relationship with the truth, at times insisting that it is the very arbiter of objective reality and at other times using reality not merely as a plaything but as a revealer of holy mysteries.

    I’ve been to many communion services in which I have been present with the Lord and the flakey disciples in an upper room yet I’ve never myself set foot in Jerusalem.

    The stories that religious people tell are all the more interesting because sometimes it is important to know whether they are stories that stand up as objective chronicles of events and because sometimes it isn’t important to know that for sure.

    Dragons still need to be vanquished either way.

    People still need to be healed.

    The world is a better place when you know that angels dance and sing.

    I suspect that this won’t be the last that we hear of St Eucalyptus on the Rocks. That little congregation clings onto the ebbing and flowing of truth in our minds just as it has clung onto the rocks by the shore for so many centuries.

    And you gentle readers are all Friends of St Eucalyptus now.

9 responses to “The Lament Question”

  1. kimberly Avatar

    ask it in the singular, and the answer is: because you’re a four.

    you’ll have me playing the funeral ikos next.

  2. kimberly Avatar

    the other answer is about possibility being revealed in limits.

  3. kelvin Avatar

    Its not just me though, and not just fours.

  4. Aaron Orear Avatar

    I think because sorrow touches the core of the human condition – we are mortal but can perceive immortality. “He has made everything suitable for its time; moreover he has put a sense of past and future into their minds, yet they cannot find out what God has done from the beginning to the end.” (Eccl. 3:11)

  5. Erp Avatar
    Erp

    I understand Aristotle talks about catharsis and various philosophers have followed up on that idea.

    Perhaps it arouses sadness both from the art itself but also from our own sources festering within and allows us to let go. We feel better for the letting go, the lessening of our own internal sadness, and so perceive the art as beautiful.

  6. RosemaryHannah Avatar
    RosemaryHannah

    Kimberly was there before me. However, even I, a nine, can sometimes see the beauty in sad things. For me they do two things (may be more but two are most obvious). The first is the catharsis thing. The second is to make me less lonely. Look, here am I weeping, but all around me people sit in the same sorrow. It is not just my sorrow – I am not alone.

    I have long thought there is another answer, one I do not properly understand but I have (I think – and who am I to think it). Deep in God there is a huge well of sorrow. Unless we experience sorrow we cannot understand God. When we sorrow we tap into that well, and become closer to him.

    And being a nice cheerful nine, I will now add that I live in hope that having sorrowed with him, we will share also and even more fully in the joy which swallows the sorrow. Delete this last paragraph from your mind on reading, it will only spoil the joy of the sorrow.

  7. Elizabeth Avatar
    Elizabeth

    Edgar Allan Poe said the most beautiful thing in the world is a beautiful, dead woman. Nice, eh?

  8. Ritualist Robert Avatar
    Ritualist Robert

    Surely it’s because the concept of beauty is independent from concepts such as ‘sadness’ and ‘happiness’ – just as a G major chord might be loud or soft, but that volume has no effect on its G major-ness.

  9. Steve Avatar
    Steve

    I remember Augustine saying (don’t ask me where) that for a picture to be beautiful it requires dark colours as well as bright.

    There is also a hint of an answer in this poem by Edwin Muir:

    Yet still from Eden springs the root
    As clean as on the starting day.
    Time takes the foliage and the fruit
    And burns the archetypal leaf
    To shapes of terror and of grief
    Scattered along the winter way.
    But famished field and blackened tree
    Bear flowers in Eden never known.

    Blossoms of grief and charity
    Bloom in these darkened fields alone.
    What had Eden ever to say
    Of hope and faith and pity and love
    Until was buried all its day
    And memory found its treasure trove?
    Strange blessings never in Paradise
    Fall from these beclouded skies.

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