• If you meet a God who is racist. Call it out.

    Content Warning. This gospel reading contains scenes which some viewers might find disturbing.

    Content Warning. Viewer discretion is advised.

    Content Warning. This exegesis contains strong language which some listeners may find offensive.

    Content Warning. The language used in this interpretation of the gospel contains expressions which were in common use at the time which may sound derogatory and disrespectful to modern ears.

    Content Warning. The kind of language that can be heard in today’s gospel remains in use today. And it remains just as offensive as it always was.

    Those of us who watch the television or listen to the radio in this country are probably all accustomed to hearing what are called content warnings.

    You sometimes get them at the theatre these days too, pasted up on the doors before you go in.

    This morning’s gospel probably needs a content warning to go with it when we read it these days.

    But maybe it always did.

    And maybe that’s the point of it.

    I have to be honest. Matthew’s gospel is my least favourite of the four canonical gospels. I always have to take a deep breath when we start the liturgical year in which we read mostly gospel readings from Matthew’s gospel. For Matthew’s world always seems so much more clear cut than the world in which I live. Everything is black and white. It is all about the sheep and the goats, the wheat and the weeds, the wise and the foolish, the saved and the damned.

    And I find all this rather tiresome. “What about the goats!” I want to cry. What about the weeds? Are they not God’s beloved flowers too.

    And if forced to choose between spending the night at a party with the five wise virgins or the five foolish ones, well, I might not chose to go to the party that Matthew wants me to choose to go to.

    But just now and again, something that Matthew writes slaps me across my presumptions and makes me take notice. The Beatitudes and the rest of the sermon on the Mount make it worth putting up with a whole lot of parables I find myself not liking. And then… and then there’s this.

    First Jesus says that righteousness isn’t about what goes into a person but about what comes out of a person.

    Someone is defiled not by what they scoff but how they scoff at others.

    Matthew paints this picture of Jesus caring much more about what people say than about the way in which they are keeping certain religious laws.

    And in a careless way, I want to cheer him on.

    Yes! Go Jesus. Disturb the righteous. Bring down the mighty. Talk about people’s motives. You got it from your mother! Yay for Jesus.

    And then right after telling us that Jesus cared more about what came out of people’s mouths than what went in, Matthew has Jesus saying something that is downright offensive with unignorably racist undertones.

    And it is that which makes me love Matthew. The sheer theatre of this is astonishing.

    Shock tactics – that’s what keeps you on your toes.

    Shock tactics from a master storyteller who will not simply let us get away with simplistic interpretations about what his gospel is all about.

    Even our English translators find this a bit much to translate honestly.

    Someone asks him for help. She’s a foreigner.

    He says.

    “It is not fair to take the children’s food and throw it to the dogs”.

    But that’s not really adequate. That word dogs is a diminutive in the Greek.

    Glaswegian might help us here.

    “It’s nae fair to take the bairns’ food and throw it to the wee dugs”

    Or even better, “It isnae fair to take the bairns’ food and gi it to the wee bitches”.

    There is a glaring nastiness about Jesus’s words that I think are unmistakable.

    Sometimes I’ve wondered whether there was a twinkle in his eyes and a snort in her response but I’m far from sure of that.

    It seems to me that he did say something that was offensive then and would be offensive now and was called out on it.

    This foreign women firstly cries out to the Son of God that she is in need. Then she cries out that she’s not accepting his answer and not accepting no for an answer either.

    She’s not going to let racism have the last word.

    And I think the gospel suddenly becomes fascinating and compelling as a result.

    What you expect to happen doesn’t?

    We don’t know her name but she is magnificent.

    She is one of those deprived of a name by history. But one of those who cry out “Not in my name” when she encounters something which is offensive to her ears.

    And I love her for it.

    There was a very popular book a few years ago called “if you see Buddha on the road, kill him”. The basic idea was that you didn’t need someone to enlighten you – you had it in yourself to provide all the enlightenment you would ever need. The idea was that you didn’t need a guru to be enlightened.

    I don’t entirely hold by that. I’ve found it necessary sometimes to learn from others.

    But this woman makes me think of a similar kind of sentiment.

    If you meet a God who is racist. Call it out.

    If you are told about a God who is homophobic or sexist or bigoted in any way, don’t rest. Resist.

    And if you encounter a God who doesn’t seem to care about the poor and the needy and the dispossessed… then fight him.

    Wrestle with him as Jacob of old wrestled with God the whole night through.

    Don’t be surprised if you come away limping, but don’t think you won’t win.

    Content warning – Love wins in the end.

    Love always wins in the end. In the face of this woman’s cheek, Jesus himself seems to suddenly understand his mission to the world in new ways. More expansive, generous, comprehensive, extensive, wide-ranging and unreserved.

    Content warning. It isn’t just Jesus who can see a whole new vision of loving the world. We are the body of Christ so, so can we.

    Content warning, it isn’t just the Canaanite woman who can insist that she too is made in the image and likeness of God.  That description applies to everyone here-present. And everyone who has ever lived. And everyone who ever will.

    Content warning. The goodness of God’s love is for everyone.

    Content warning. The goodness of God’s love is for you.

    In the name of the Father and of the Son and of the Holy Spirit. Amen.

9 responses to “The Lament Question”

  1. kimberly Avatar

    ask it in the singular, and the answer is: because you’re a four.

    you’ll have me playing the funeral ikos next.

  2. kimberly Avatar

    the other answer is about possibility being revealed in limits.

  3. kelvin Avatar

    Its not just me though, and not just fours.

  4. Aaron Orear Avatar

    I think because sorrow touches the core of the human condition – we are mortal but can perceive immortality. “He has made everything suitable for its time; moreover he has put a sense of past and future into their minds, yet they cannot find out what God has done from the beginning to the end.” (Eccl. 3:11)

  5. Erp Avatar
    Erp

    I understand Aristotle talks about catharsis and various philosophers have followed up on that idea.

    Perhaps it arouses sadness both from the art itself but also from our own sources festering within and allows us to let go. We feel better for the letting go, the lessening of our own internal sadness, and so perceive the art as beautiful.

  6. RosemaryHannah Avatar
    RosemaryHannah

    Kimberly was there before me. However, even I, a nine, can sometimes see the beauty in sad things. For me they do two things (may be more but two are most obvious). The first is the catharsis thing. The second is to make me less lonely. Look, here am I weeping, but all around me people sit in the same sorrow. It is not just my sorrow – I am not alone.

    I have long thought there is another answer, one I do not properly understand but I have (I think – and who am I to think it). Deep in God there is a huge well of sorrow. Unless we experience sorrow we cannot understand God. When we sorrow we tap into that well, and become closer to him.

    And being a nice cheerful nine, I will now add that I live in hope that having sorrowed with him, we will share also and even more fully in the joy which swallows the sorrow. Delete this last paragraph from your mind on reading, it will only spoil the joy of the sorrow.

  7. Elizabeth Avatar
    Elizabeth

    Edgar Allan Poe said the most beautiful thing in the world is a beautiful, dead woman. Nice, eh?

  8. Ritualist Robert Avatar
    Ritualist Robert

    Surely it’s because the concept of beauty is independent from concepts such as ‘sadness’ and ‘happiness’ – just as a G major chord might be loud or soft, but that volume has no effect on its G major-ness.

  9. Steve Avatar
    Steve

    I remember Augustine saying (don’t ask me where) that for a picture to be beautiful it requires dark colours as well as bright.

    There is also a hint of an answer in this poem by Edwin Muir:

    Yet still from Eden springs the root
    As clean as on the starting day.
    Time takes the foliage and the fruit
    And burns the archetypal leaf
    To shapes of terror and of grief
    Scattered along the winter way.
    But famished field and blackened tree
    Bear flowers in Eden never known.

    Blossoms of grief and charity
    Bloom in these darkened fields alone.
    What had Eden ever to say
    Of hope and faith and pity and love
    Until was buried all its day
    And memory found its treasure trove?
    Strange blessings never in Paradise
    Fall from these beclouded skies.

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